Roger Dean

The first two volumes chronicling the unique art and design of Roger Dean met with huge critical and popular success. Views (1975) went straight to number one in the Sunday Times bestseller list and went on to sell over a million copies. Magnetic Storm (1984) sold over 650,000 copies. These new editions, reworked to accompany the publication of the third book in the trilogy, Dragon's Dream, showcase the instantly recognizable work of Roger Dean. Views showcases the first seven years of Roger Dean's work after his graduation from the Royal College of Art in 1968. It includes paintings and graphics; branding such as the Yes typography and the first Virgin Records logo; groundbreaking stage sets; and album art including iconic early Yes covers such as the award-winning Tales From Topographic Oceans. The new edition streamlines the original square format and retains the combination of concept sketches and brilliantly displayed finished work. Featuring a new foreword, revised typography, and graphic openers and identifying icons, Views showcases and celebrates the art that defined an era.

(Remember Me) I'm the One Who Loves You is a 1965 studio album by Dean Martin, produced by Jimmy Bowen and arranged by Ernie Freeman. The album was Martin's fifth album to appear in the Top 40, and peaked at number 12 on the Billboard Top LP's chart.

Olias of Sunhillow is a progressive rock concept album by Jon Anderson, the lead singer of the band Yes. It was his first solo album in 1976. He plays all instruments and does all vocals on the album.

Olias of Sunhillow is a progressive rock concept album by Jon Anderson, the lead singer of the band Yes. It was his first solo album in 1976. He plays all instruments and does all vocals on the album.
Olias of Sunhillow is chock full of sci-fantasy spiritualism, built around a story inspired by Roger Dean's flying starships on the Fragile cover. Dean wasn't present for the art (he was always closest to Howe), so the album sports a lavishly illustrated sleeve from David Roe. Prior to this, his first solo record, Anderson had struck a friendship with Vangelis. That friendship would eventually evolve into a successful string of albums for the duo, but more immediate was the influence Vangelis had on this recording. Just check out the opening moments of "Ocean Song". Anderson wrote and recorded the entire record himself, something of a self-proclaimed "coming of age" for the non-musician. So think of it as Yes without the virtuosity. He mostly bypasses rhythm instead opting for layers of texture. Dipping mostly across the strings of harp and guitars, there’s a fair amount of electronics, no doubt a result of Vangelis' influence. Of course, Anderson’s unique voice is front and center. He always penned a good melody and Olias's dozen songs are no exceptions. "Meeting", "Flight of the Moorglade Mover" and "To The Runner" rank up there with the best of Yes' tunes. Most importantly, the album flows from start to finish. Maybe it is Mike Dunne in the engineer's chair to thank, but the cohesion is genuine. Olias was the most successful of Yes' solo efforts, reaching No 8 in the UK charts and breaking the US Top 50.

Badger was a British rock band from the early 1970s. The band was co-founded by keyboardist Tony Kaye after he left Yes, with David Foster. Foster had been in The Warriors with Jon Anderson before Anderson co-founded Yes. Foster later worked with the band on Time and a Word. Kaye had worked on a solo project by Foster that was never released. The pair found drummer Roy Dyke, formerly of Ashton, Gardner & Dyke, and Dyke suggested Brian Parrish formerly of Parrish & Gurvitz which later became Frampton's Camel (after Parrish left P&G) on guitar. The new band began rehearsing in September 1972 and signed to Atlantic Records.

Badger was a British rock band from the early 1970s. The band was co-founded by keyboardist Tony Kaye after he left Yes, with David Foster. Foster had been in The Warriors with Jon Anderson before Anderson co-founded Yes. Foster later worked with the band on Time and a Word. Kaye had worked on a solo project by Foster that was never released. The pair found drummer Roy Dyke, formerly of Ashton, Gardner & Dyke, and Dyke suggested Brian Parrish formerly of Parrish & Gurvitz which later became Frampton's Camel (after Parrish left P&G) on guitar. The new band began rehearsing in September 1972 and signed to Atlantic Records.

Whether you see Dean Martin as an iconic, velvet-voiced crooner or a repugnant symbol of Vegas excess, Forever Cool is a fascinating–if flawed–experiment in keeping the celebrated performer contemporary. A reworking of his vocal tracks as duets with internationally known collaborators (from British singer Joss Stone to Italian chart-topper Tiziano Ferro), the album additionally features new arrangements as well as one previously unreleased track (an a cappella version of "Brahms' Lullaby")…

MCA Nashville presents Roger Miller's 1969 album Roger Miller 1970 as part of a series of exciting new re-releases from the beloved Country star!