When you compose more than 100 symphonies, all of them good, it's only natural that the public will find ways to identify the ones they like the most. These symphonies with nicknames are not necessarily better than those without, but they do give an excellent overview of Haydn's unsurpassed achievement as a symphonist.
Fans of Leonard Bernstein will not want to miss the chance to snap up this limited edition 60-CD set, Bernstein Symphony Edition. With a list price of just over two dollars per disc, it's a bargain not to be missed. What's most impressive about these recordings of well over 100 symphonies made between 1953 and 1976, almost all of which feature the New York Philharmonic, is the scope and depth of Bernstein's repertoire.
Ondine's series of Erkki Melartin's (1875-1937) symphonies is an invaluable addition to the catalogue of recorded music (one of several invaluable projects from Ondine - think of their coverage of Raitio, Englund and Merikanto, for instance). Stylistically, the influence of Sibelius is clearly audible, but not oppressively so. Rather, Melartin's music (at least in the first four symphonies) strikes me as a lushly late-romantic, Mahlerian and Brucknerian take on Mendelssohn and Raff, fused with folkloristic elements ………Strongly recommended.G.D. @ Amazon.com
Fans of Leonard Bernstein will not want to miss the chance to snap up this limited edition 60-CD set, Bernstein Symphony Edition. With a list price of just over two dollars per disc, it's a bargain not to be missed. What's most impressive about these recordings of well over 100 symphonies made between 1953 and 1976, almost all of which feature the New York Philharmonic, is the scope and depth of Bernstein's repertoire. The complete symphonic works of many of the great symphonists are here.
Fans of Leonard Bernstein will not want to miss the chance to snap up this limited edition 60-CD set, Bernstein Symphony Edition. With a list price of just over two dollars per disc, it's a bargain not to be missed. What's most impressive about these recordings of well over 100 symphonies made between 1953 and 1976, almost all of which feature the New York Philharmonic, is the scope and depth of Bernstein's repertoire.
La Discotheque Ideale Classique brings together the masterpieces of 47 composers (Bach, Beethoven, Chopin, Handel, Ravel, Wagner …) performed by the greatest artists of the prestigious Erato-Warner Classics catalog. The 100 CDs of the box, which contain more than 100 hours of listening, allow you to rediscover the essential works of the classical repertoire.
The Japanese company, BMG Japan, sorted the original RCA RED SEAL CDs according to the composers and the year when the music pieces were created. BEST100 series are the best representative CDs, which were carefully chosen from those music pieces by acting and recording, and they were released again with the mark of RCA BEST100. These CDs are the most impressive records in the classical field at RCA’s best. Theoretically, we could find the single originals of those CDs, but BMG Japan reorganised excellently for everyone. During BMG Japan period, it was released for the first time in 1999 and for the second time in 2008 after SONY took over BMG. BEST100 series belong to the latter.
2013 limited edition 100 CD box set on the premiere classical label Deutsch Grammophon. Subtitled from Gregorian Chant to Gorecki.
• It starts with Gregorian Chant and Machaut chansons and ends with Gorecki and the Minimalists.
• The greatest composers have as many as five CDs devoted to them (Bach, Mozart, Beethoven);
• 20th-century music is well represented with no fewer than 20 CDs.
• Operas and major choral works are represented by highlights, but otherwise the edition presents, as far as possible, only complete works throughout.
• Altogether, there are more than 80 composers in the set, with over 400 works for a total of around 120 hours of music.
This set of Haydn’s last and greatest symphonies arrives in the wake of the Danish Chamber Orchestra and Adam Fischer’s acclaimed series of the complete symphonies of Beethoven (8.505251) and Brahms (8.574465–67), and Adam Fischer and his orchestra use their recent experiences in this and other repertoire to play this Haydn series in as exciting and colourful way as possible. This edition is shaping up to become as collectable as all of Fischer’s previous symphonic recordings, and there is now a buzz of excitement around each release in this new Haydn project.