Reissue with the latest remastering. Amazing stuff from Ivan Boogaloo Joe Jones! Unlike some of the other players on Prestige during the early 70s – who often got a bit weaker as the decade moved on, thanks to the departure of some of the better forces arranging and producing the records – Jones kept on playing hard, improving his guitar skill to a point where he was riffing and grooving away at a pace that's simply mindblowing when you hear it. Case in point is the mighty "Black Whip", a fantastic bit of funky jazz that cracks back and forth with all the whiplike qualities hinted at in the title – and which has a totally infectious jazz dance groove that always gets us on the floor. Other titles include the original groovers "Freak Off" and "Crank Me Up", both tasty numbers, plus some mellow pop covers like "My Love" and "Daniel".
Features 24 bit remastering and comes with a mini-description. Something is an album by organist Shirley Scott recorded in 1970 and released on the Atlantic label. It includes instrumental covers of several contemporary hits from artists such as the Beatles and the Jackson 5, along with the original song "Messie Bessie".
Features 24 bit remastering and comes with a mini-description. When Ray Charles' musical director has the words "blues" and "soul" in large type on the covers of his own releases, there's a strong chance that's what the listener will find inside. The Mr. Blues set from 1968 is Crawford and a small horn section playing rocking blues riffs with a crack rhythm section. Instrumental R&B doesn't get much hipper. Crawford's tough but lyrical sound – informed by a bebopper's command and facility – is tailor-made for this blues-charged music. Highlights include the title track, a cool, finger-popping "Route 66," a sleazy, churning "Lonely Avenue," and a couple of no-nonsense Crawford originals. A middle-of-the road "On a Clear Day (You Can See Forever)" is the only departure from the set's satisfyingly gritty feel.