101 Electronic 80s

A collection of 12 CD, which includes 11 studio albums by British rock band from Manchester. To the date, the band sold more than 25 million albums worldwide.

Iannis Xenakis - Musique Electro-Acoustique (2001) {Fractal Records Fractal 015}
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© 2001 Fractal Records | Fractal 015
Classical / Modern Classical / Experimental / Musique concrète / Electroacoustic

This disc comprises two works from the '80s utilizing electronics and tape manipulation, one involving voices and permutations thereof. The text for "Pour la Paix," much of it written by the composer's wife and recited in French, deals with the effects and psychologies of war. As recited by male and female speakers and augmented by a surprisingly traditional sounding choir, the words are sandwiched between and buffeted by various electronic attacks. The sonic components tend to be sequential, with little of the complex richness bordering on chaos found in a typical Xenakis composition. Many of the taped sounds also appear somewhat conventional, occasionally reminding one of the slightly loopy creations of early rock experimenters with the Moog synthesizer.

Kitaro's universally acknowledged as the founding architect of new age music. The Grammy and Golden Globe Award-Winning Kitaro has achieved global acclaim over a more than three decade long career with a signature sound and a pioneering fusion of cultures, techniques and spheres of consciousness that are truly his own.

Tangerine Dream scored director Michael Mann's film debut, Thief (released as "Violent Streets" outside of the U.S. market), adding their patented pulses, blips and whooshes to the film's highly stylized visual scenes. While TD's electronic music is a natural fit for soundtracks, it doesn't bring out the best in the band; for the most part, this soundtrack contains swatches of a larger canvas, building up a small head of steam in the span of four or five minutes but not raising the musical discussion above the level of mere mechanical chitchat. Most of the songs follow a set pattern, with Chris Franke slurring his sequencers under a thin fog of synthesizers, topped by a piercing and pithy melody. An engaging melody on "Beach Theme" makes it one of the album's better tracks, while "Trap Feeling" has a delicacy that compares favorably to Brian Eno's Music for Films…

The last great Kraftwerk album, Computer World (Computerwelt) captured the band right at the moment when its pioneering approach fully broke through in popular music, thanks to the rise of synth pop, hip-hop, and electro. As Arthur Baker sampled "Trans-Europe Express" for "Planet Rock" and disciples like Depeche Mode, OMD, and Gary Numan scored major hits, Computer World demonstrated that the old masters still had some last tricks up their collective sleeves. Compared to earlier albums, it fell readily in line with The Man-Machine, eschewing side-long efforts but with even more of an emphasis on shorter tracks mixed with longer but not epic compositions.