Under Director Richard K. Pugsley, the US-based choir Gloriæ Dei Cantores has gained a reputation for its impeccable vocal blend as well as bold programming, including its recent championing of the music of Jewish composer Samuel Adler. Adler and his family escaped Nazi Germany in 1939, settling in the United States, where he went on to compose more than 400 works. European and American influences unite in his choral music, most notably in Choral Trilogy, an ambitious work for choir and organ that nods to both Herbert Howells and Adler’s teacher Aaron Copland. In “Psalm 23”, Adler sets Hebrew and English texts, acknowledging both his heritage and adopted home in music of mesmerising beauty. To Speak to Our Time, commissioned for the 80th anniversary of Kristallnacht, brings the plight of refugees across the world into powerful focus.
Heavily rooted in the romantic tradition of the best Italian progressive rock, Il Paese Dei Balocchi blends beautiful instrumental passages with heavy classical orchestration. This is pure symphonic prog the way it was meant to be played and heard. This album dives from the gentle touch of the softest symphonic prog to a medium tempo jazz influenced atmosphere. Like Banco, PFM and Le Orme, Il Paese Dei Balocchi displays awesome keyboard driven progressive creating the most interesting melodies and warm atmospheres. This album is not unlike a grand epic soundtrack really and offers the listener a deep conceptual atmosphere to get lost in. This album also varied widely from the chimes of a nursery to the deep gothic pillars of a church organ. Outstanding and clever recording.