Cherry Audio

Our most ambitious instrument to date, Cherry Audio’s Eight Voice polyphonic synthesizer meticulously emulates the immense sound of the Oberheim® Eight Voice, one of the world’s rarest and most desirable vintage instruments. Predating modern microprocessor control, its eight independent dual-oscillator voice modules could be challenging to program. Cherry Audio Eight Voice’s unique Voice Link controls allow simple and powerful grouping of voice module controls, eliminating individually setting each module's controls when homogenous poly sounds are desired. Focus buttons allow instant enlargement of any section of the user interface, making sound programming a breeze, and massively flexible keyboard assign modes enable endless mono and poly keyboard zoning and layering options. All in all, we’ve transformed the original’s daunting user interface into a fun and inviting mondo poly synth experience.

Wurlybird 140B is Cherry Audio's first sample-based electro-acoustic virtual instrument, modeled after the 1964 Wurlitzer 140B, considered by many to be the crown jewel of the legendary Wurlitzer electric piano family. Though the 200-series models are more widely known — and often emulated — many devoted Wurly enthusiasts believe the 140B to have superior action and tone quality.

GG Audio's Blue3 tonewheel organ is back, better, and more affordable, with a whole new look from Cherry Audio.

GX-80 is a transformative virtual synthesizer that combines the unparalleled sound and features of the fabled GX-1 “Dream Machine” and its renowned descendant the CS-80, to create a powerhouse hybrid. Featuring the carefully crafted and intensely circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio has replicated every subtlety of the classics to create the most authentic emulation of its kind.

Our most ambitious instrument to date, Cherry Audio’s Eight Voice polyphonic synthesizer meticulously emulates the immense sound of the Oberheim® Eight Voice, one of the world’s rarest and most desirable vintage instruments. Predating modern microprocessor control, its eight independent dual-oscillator voice modules could be challenging to program. Cherry Audio Eight Voice’s unique Voice Link controls allow simple and powerful grouping of voice module controls, eliminating individually setting each module's controls when homogenous poly sounds are desired. Focus buttons allow instant enlargement of any section of the user interface, making sound programming a breeze, and massively flexible keyboard assign modes enable endless mono and poly keyboard zoning and layering options. All in all, we’ve transformed the original’s daunting user interface into a fun and inviting mondo poly synth experience.

The Cherry Audio Quadra is a super-accurate and immensely improved emulation of the ARP Quadra synthesizer, originally released in 1978 - a rare and coveted “unicorn” instrument in the synthesizer world, reproduced for the first time as a virtual instrument.

Stardust 201 Tape Echo is a hot-rodded interpretation of the classic Roland "Space Echo" tape echo effects of the 70s and 80s. Compared to earlier tape echoes, they represented a giant leap in reliability and sound quality. With solidly built tape-transport mechanisms and the inclusion of a spring reverb and chorus effects in some models, the Space Echo was truly groundbreaking with its fantastic variety of sound colors.

The Cherry Audio CA2600 is a powerful, self-contained duophonic synthesizer inspired by the groundbreaking ARP 2600 synthesizer. Every aspect of the original, from the quirky oscillator waves, to the powerful ladder filter, to the external audio input and preamp section was modeled with tremendous precision. Though it features similar functionality, it’s been thoughtfully updated for increased flexibility - with semi-normalled patch cabling, integrated effects, and no hidden windows or menus in the audio path, CA2600 delivers an unprecedented hands-on, “everything right in front of you, right now!,” vintage synthesis experience like no other.

Polymode is inspired by the groundbreaking Moog Polymoog synthesizer. One of the world’s first polyphonic synthesizers, its unique multiple parallel filter implementation and mod routings give it a sound like no other synth. And though the original Polymoog sounded incredible, it could be challenging to operate and was prone to breakdowns. Cherry Audio’s Polymode sidesteps all of the drawbacks of the original instrument and massively expands its capabilities. With a streamlined user interface and immense modulation capabilities, Polymode sets a new standard for animated, sonically evolving string, pad, and choral tones.

Mercury-4 is a detailed emulation of one of the best-sounding and quirkiest polyphonic synthesizers of the late 1970's, the Roland Jupiter-4. It’s the rarest and most sonically unique of the fabled Jupiter series, and we’ve gone to great lengths to recreate the subtle (and not-so-subtle) nuances and character of this beloved classic. Every aspect of Mercury-4 has been expertly modeled upon a vintage Jupiter-4 originally owned by Greg Hawkes of the legendary 80’s new wave band The Cars, and played on their double-platinum 1981 album Shake It Up. In Greg’s words, Mercury-4 “sounds just like my old Jupiter! It’s nice to have it back.”