Where to begin? The superbly remastered sound that transforms even the most familiar cut (and, let's face it, most of this stuff has been reissued so often, you'd need to be deaf not to know it backwards) into a whole new listening experience? The 33-song selection that revives the greatest hits alongside some of the greatest bits, to present a truly well-rounded examination of the full 10cc experience? The gleeful dip into both pre- and post-band history that places both "Neanderthal Man" and "Cry," and "Groovy Kind of Love" and "Bridge to Your Heart," into some kind of context? The two songs that premier Kevin Godley and Graham Gouldman's new project, GG06? A lone Gouldman four-song re-creation of his late-'60s Graham Gouldman Thing solo album? For anybody with even a passing fascination with the self-styled worst band in the world, Greatest Hits & More is such a treat that, no matter how many other "best-of" collections you already own, this is the only one you need…
This is not the first 10cc Hits collection, but it is definitely the most comprehensive TV Ad package…
10cc are an English rock band formed in Stockport in 1972. They initially consisted of four musicians – Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme – who had written and recorded together since 1968. The group featured two songwriting teams. Stewart and Gouldman were predominantly pop songwriters, who created most of the band's accessible songs. By contrast, Godley and Creme were the predominantly experimental half of 10cc, featuring art school and cinematically-inspired writing…
Major 70s UK (founded in Stockport, Greater Manchester, England) pop/artrock band. The original line-up of Eric Stewart, Kevin Godley, Lol Creme and Graham Gouldman had composed together and been in the band Hotlegs (Gouldman only briefly) before forming 10cc in 1972 and signing with Jonathan King's UK Records after being turned down by Apple Records. The band's music is a blend of pop, artrock often drawing on other genres, on the debut album especially the 50s…
After proving they could keep 10cc alive as a duo act with 1977's successful Deceptive Bends, Eric Stewart and Graham Gouldman pressed on in 1978 with Bloody Tourists. Although it scored some notable hits, it was a less consistent and less memorable affair than its predecessor. The problem with Bloody Tourists is that it feels like a group of session musicians trying to come up with songs in the 10cc style instead of a proper 10cc album. The eccentric humor that once flowed freely feels forced on this album: "Reds In My Bed" is a lame stab at Cold War satire that never really succeeds in saying anything while "Shock On The Tube (Don't Want Love)" tries to be daring with its tale of a subway sex fantasy and instead comes off as smutty and dull…
2017 four CD set. Before During After - The Story of 10cc is a special box set, curated with input from the band to detail each and every chapter of their musical story. It Is the first complete, career-encompassing collection of the work of 10cc - Eric Stewart, Lol Crème, Kevin Godley and Graham Gouldman, together and apart…
In the fall of 1991, it was announced that 10cc's original quartet of members had reconvened in Woodstock, to begin work on their first album together in 16 years. Of course it didn't happen like that; Kevin Godley and Lol Creme both had other careers to consider at that time, and the bulk of the new record was left to Eric Stewart and Graham Gouldman – whose own tenure at the helm ended when they split the band in 1983. And it shows. Although the prodigals did contribute to the album by way of backing vocals, their presence was scarcely felt. Neither did producer Gary Katz add anything to the brew, as songs that sounded terrific as demos ("Welcome to Paradise" in particular) were simply plastered over with studio lushness by session men that the 10cc-ers themselves did not even know.
In the fall of 1991, it was announced that 10cc's original quartet of members had reconvened in Woodstock, to begin work on their first album together in 16 years. Of course it didn't happen like that; Kevin Godley and Lol Creme both had other careers to consider at that time, and the bulk of the new record was left to Eric Stewart and Graham Gouldman – whose own tenure at the helm ended when they split the band in 1983. And it shows. Although the prodigals did contribute to the album by way of backing vocals, their presence was scarcely felt. Neither did producer Gary Katz add anything to the brew, as songs that sounded terrific as demos ("Welcome to Paradise" in particular) were simply plastered over with studio lushness by session men that the 10cc-ers themselves did not even know.