Sarah Lamb and Vadim Muntagirov star as tragic lovers Manon and Des Grieux in this performance of Kenneth MacMillans Manon, a classic of the Royal Ballet repertory. Nicholas Gerogiadiss period designs set the ballet in the contrasting worlds of Paris Luxury and Louisiana swampland, while the intense emotion of MacMillans choreography is complemented by a score drawn from Massenets music. The impassioned pas de deux from Manon and Des Grieux drive this tragic story, and make Manon one of MacMillans most powerful dramas.
The minor San Francisco group Lamb tend to be remembered only for their appearance on the Fillmore: The Last Days concert album, where they were one of several non-star artists on a set dominated by bigger names like the Grateful Dead, Santana, and Boz Scaggs. The band did actually put out three albums in the early '70s, however, and were quite an interesting group. Not only were they not readily comparable to other acts on the San Francisco rock circuit, but it's debatable whether they could be fairly categorized as a rock band at all. Their music blended jazz, folk, singer/songwriter pop, gospel, and even some classical and avant-garde influences…
Latvia's Progressive rock band Holy Lamb tells a slightly unconventional story about music. The musicians chose to integrate various shades of rock n' roll into their music. The result is as adventurous as it could possibly get. Released in the year 2016, "Gyrosophy" is the fourth studio album by Holy Lamb, the perfect way to celebrate the band's twenty-fifth anniversary. This record contains four songs and four instrumental tracks with a lot of emphasis on melodies, arrangements and musicianship. Great combination of Organ, Piano and guitar in instrumental parts. The album was devised, recorded and produced by the group itself, mixed at the Mars Yapim Studios in Ankara (Turkey), mastered by Jon Astley in the United Kingdom, and eventually published by the French label Musea Parallèle.
Catherine Lamb’s duo piece for quarter tone bass flute and double bass encourages listeners to dwell on the moment, here performed by Rebecca Lane (quarter tone bass flute) and Jon Heilbron (double bass), with recording by Adam Asnan at Andreaskirche, Berlin in 2019.