111 Years Of Deutsche Grammophon The Conductor

Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.

In the golden age of orchestral recording – the 1950s cusp between mono and stereo – American labels piled into London and Vienna after an aggressive union priced their own musicians out of work. At Abbey Road, players worked 30 days on the trot, three sessions a day, to feed a burgeoning market for classical music. In Vienna, the Philharmonic (exclusively contracted to Decca) performed under six different names for other labels.

Daniel Lozakovich has been dreaming about recording the Beethoven Violin Concerto since he was eight. He first performed it on stage when he was thirteen, and at fifteen was invited by Valery Gergiev to perform the concerto with him in Moscow. A few short years later, he has reunited with his mentor Gergiev to record the Beethoven with the Münchner Philharmoniker for Deutsche Grammophon The new recording captures Lozakovich’s close artistic partnership with Russian conductor Valery Gergiev Lozakovich was clear from the start that this should be a live recording: “There’s a particular magic about a live concert,” he explains. “The audience creates a unique atmosphere, without which, in my opinion, it’s almost impossible to produce a performance that will stand the test of time.”

A marquee name among classical pianists since the 1970s, Maurizio Pollini has been noted for performances of some of the most monumental of contemporary music, and for pairing such works with standard repertory of the 19th century. Pollini's decades-long relationship as a recording artist with the Deutsche Grammophon label has been among the most stable in years. Pollini was born January 5, 1942, in Milan. His father was modernist architect and educator Gino Pollini. In 1957, in Milan, he performed a concert of Chopin Etudes that drew wide attention.

This new release features the Finnish Radio Symphony Orchestra under the baton of Sakari Oramo performing Sergei Prokofiev’s Symphonies Nos. 5 and 6. These two symphonies, composed in 1944 and 1947, are very different in mood, but stylistically closely related. The Fifth was written amid the chaos of the Second World War and seeks to find a positive solution; but in the Sixth, completed soon after war, the mood is darker. Both feature Prokofiev’s melodic writing at its best.

Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records.