12 Notes

Pierre Schaeffer - Solfège de l'objet sonore (1967) {3CD Set, Ina-GRM ina c 2010/11/12 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 481 Mb | MP3 @320 -> 311 Mb
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© 1967, 2005 Ina-GRM | ina c 2010/11/12
Classical / Electroacoustic / Electronic / Musique Concrète

It is a well-established fact that our approach to music is generally twofold: this is the physicists' as well as the musicians' doing. One the one hand, music is considered to be based on acoustics, or even mathematics, which ought to give it the status of a science; on the other hand , it is acknowledged that it proceeds from psychological and sociological phenomena which, over the ages, have developed into an art, itself depending on various crafts. There is no longer any contradiction between the two approaches so long as one is prepared to accept them jointly, with enough insight to respect the methods proper to each end of the "chain."

Sandy Denny - The Notes and the Words: A Collection of Demos and Rarities (2012) {4CD Set Island 371 246-9 rec 1966-1978}
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© 1966-78, 2012 Universal Island | 371 246-9
Folk / Acoustic / British Folk / Folk Rock

2010's mammoth, highly collectible and very limited, 19-disc Sandy Denny box set was truly a thing to behold, presenting the entirety of her career from studio to stage to front porch. It was a completist's dream, but it came with an exceptionally high price tag, which makes the appearance of 2011's Notes and the Words: A Collection of Demos and Rarities a real gift for fans, especially those who already own the complete studio recordings, whether solo or with Fotheringay, Strawbs, or Fairport Convention. The handsome, limited-edition four-disc box skims the cream from the top of the myriad rarities, BBC sessions, demos, and outtakes that made the previous collection so remarkable (an intimate bedroom recording of Jackson C. Frank's "Blues Run the Game"; an early demo of Like an Old Fashioned Waltz's "Carnival" with previously unheard melodies and lyrics; a blistering alternate studio take of a Dave Swarbrick-less "Sailor's Life," and alternate versions of Fairport classics like "Matty Groves," "Come All Ye," and "Fotheringay"), resulting in a wonderful window into one of English folk music's most magnificent voices.

Harold Melvin & The Blue Notes were one of the very first groups to achieve global success for Philadelphia International Records within its first year as a CBS-distributed label. The 1972 release of two consecutive ‘tell-it-like-it-is’ ballads – ‘I Miss You’ and ‘If You Don’t Know Me By Now’ – marked the start of a four-year association that yielded some of the most enduring recordings in contemporary soul music, in the process creating – with label founders Kenny Gamble & Leon Huff and a burgeoning coterie of talented songwriters, arrangers and musicians – a handful of timeless dance music classics including ‘The Love I Lost’, ‘Bad Luck’ and ‘Don’t Leave Me This Way’.

Beyond the Notes Live is a live album from Jon Lord, recorded on October 5, 2004 at Vulkanhalle, Cologne, Germany. It features performances by Frida, Sam Brown, Miller Anderson and The Trondheim Soloists…

Bluey’s overall life perspective throughout Life Between the Notes is well articulated, anchored by his first-rate musicianship, sensitive lead vocals and a firm supporting cast of Incognito alumni including Richard Bull and Matt Cooper. For a world-class musician who has been there and done that personally and professionally, Bluey nails all the essentials, making Life Between the Notes an even more intriguing listening pleasure.