1920 Avi

The First Polish 3D Feature Film! Poland's winning battle against Soviet Russia as seen through the eyes of two young protagonists, Ola and Jan. She is a Warsaw cabaret dancer, while he is a cavalry officer and poet who believes in socialist ideals.

The 1920 Horror Masterpiece.
In 16th-century Prague, a Jewish rabbi creates a giant creature from clay, called the Golem, and using sorcery, brings the creature to life in order to protect the Jews of Prague from persecution.

The callous rich, portrayed by Lennox, think only of their own pleasure. Anna is but a poor country girl whom Lennox tricks into a fake wedding. She believes that it is true, but secret, while he has his way with her. When she is pregnant, he leaves her and she must have the baby, named Trust Lennox, on her own. When the baby dies she wanders until she gets a job with Squire Bartlett. David falls for her, but she rejects him due to her past and then Lennox shows up lusting for Kate. Seeing Anna, he tries to get her to leave, but she doesn't, and she tells no one about his past. When Squire Bartlett learns of her past from Martha, the town gossip, he tosses Anna out in a snow storm. But before she goes, she fingers the respected Lennox, as the father of her dead baby and the spoiler of herself.

Nolff, a tough Breton fisherman is happy: his wife has just given birth to a son, Michel. His only wish is to make him a fisherman like him. But when he becomes a man, Michel becomes a good-for-nothing who spends his time in taverns with his evil genius friend Gwenn la Taupe. The sea will be his judge.

The callous rich, portrayed by Lennox, think only of their own pleasure. Anna is but a poor country girl whom Lennox tricks into a fake wedding. She believes that it is true, but secret, while he has his way with her. When she is pregnant, he leaves her and she must have the baby, named Trust Lennox, on her own. When the baby dies she wanders until she gets a job with Squire Bartlett. David falls for her, but she rejects him due to her past and then Lennox shows up lusting for Kate. Seeing Anna, he tries to get her to leave, but she doesn't, and she tells no one about his past.

Spanish film pioneer Segundo de Chomón spent most of his influential career associated with Pathé Laboratories. Chomón joined the company in 1901 and set up a laboratory for adding color to film in Barcelona. He started directing newsreels the following year. Chomón's innovations include the development of several camera tricks, including single-frame techniques, optical dissolves, and complicated traveling shots. In 1902, Chomón successfully combined live-action with miniatures in the short Choque de Trenes/Collision of Trains. In 1905, he was the first Spanish filmmaker to use stop-motion techniques in Eclipse de Sol/Eclipse of the Sun. Toward the end of 1905, Chomón relocated to Paris to direct over 100 short films for Pathé; he also shared his techniques with other directors. He first used the traveling shot (the first time it was ever used) in a scene for La Vie et la Passion de Notre Seigneur Jesus Christ/The Life and Passion of Jesus Christ (1907), which was directed by Ferdinand Zecca and Lucien Nonguet. Chomón accomplished the shot by devising a special skating device, and perfected the special shot while filming Cabiria for Italian director Giovanni Pastrone in 1914. In 1909, Chomón was among the first to use silhouettes in one of the first animated films, the surreal Une Excursion Incoherente/Traveler's Nightmare. Chomón returned to Barcelona in 1910 and worked closely with Juan Fuster to create a series of short fiction films. In 1911, he produced a series of travel documentaries for Pathé and later in the year founded Ibérico, his own production company (he released his films through Pathé). Chomón moved to Italy in 1912 and worked as a cinematographer and special effects technician with the Italia Film company, for whom Chomón also directed several animated shorts. Chomón co-invented a two-tone color process in the 1920s with Swiss engineer Ernest Zollinger. The pair later exhibited two color films at various science expos. Chomón died of illness in Paris in 1929 shortly after returning from Morocco where he was shooting color footage.