This second volume of the Guide to Musical Instruments explores the history of musical instruments in the period from 1800 to 1950. Its purpose is both to discuss improvements and transformations of instruments dating from before 1800 and to investigate all the novelties thought up by instrument makers during this era. All these developments took place in a context in which the process of instrument making moved from artisans’ workshops to commercial firms which became veritable factories, typical of the ‘age of industrialisation’. The majority of the musical examples are recordings of individual instruments that allow us to hear timbres often lost under the weight of the orchestral mass.This second volume of the Guide follows the same principles as the first.
Brigitte Bardot fut l'un des plus célèbres sex-symbols mais a aussi révolutionné les moeurs en libérant l'image féminine et en défendant la cause animale. Ce livre retrace la fabrication d'une légende et brosse le portrait d'une femme qui se débat avec une gloire très lourde à porter. …
Here's one of the great untold stories in American music, revealed at last! Harry Choates was a natural-born musician. He's famous as a Cajun fiddle player, but he could play matchless Western Swing fiddle and jazz guitar to rival Django Reinhardt. His fellow musicians say he played piano and mandolin superbly, too. In 1946, Harry Choates recorded the Cajun classic Jolie Blonde, forever mistitled Jole Blon. It was cut for a tiny local label, but became a nationwide smash, inspiring numerous cover versions, sequels, and prequels. For the first time, the story is revealed here.