1954

Eddie Costa & Sal Salvador - Complete Studio Recordings (2005) {2CD Set, Capitol–Lone Hill Jazz LHJ10171 rec 1954-1957}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 579 Mb | MP3 @320 -> 359 Mb
Full Artwork @ 300 dpi (png) -> 41 Mb | 5% repair rar
© 1954-57, 2005 Capitol / Bethlehem / Lone Hill Jazz | LHJ 10171
Jazz / Bop / Vibes / Guitar

This 2 CD set is comprised of the complete 1954, 1956 and 1957 Capitol and Bethlehem albums 'Kenton Jazz Presents Sal Salvador', 'Frivolous Sal', 'Shades Of Sal Salvador' 'Tribute To The Greats' & 'Sounds By Socolow' (1 session). Also included as bonus tracks is the complete session under the saxophonist Frank Socolow leadership, and featuring legendary westcoaster trombonist Eddie Bert in addition to the Salvador-Costa quartet.

Chet Baker - Out Of Nowhere, Chet Baker Quartet Live, Volume 2 (1954) {Pacific Jazz 27693 rel 2001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 278 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 300 dpi (png) -> 18 Mb | 5% repair rar
© 1954, 2001 Pacific Jazz / Capitol Records | 7243 5 27693 2 2
Jazz / Cool / West Coast Jazz / Trumpet

3 great Pacific Jazz CD's chronicling Chet Baker and Russ Freeman's live performances. This is where you really start to hear Chet find his own sound. He starts branching out on the two My Funny Valentine's found here, and his recordings of Stella By Starlight sound like the one's he did in the 1980's. The recording quality is pretty average in Volume 1, but it improves in Volume 2 and 3, especially considering how noisy American Jazz clubs used to be. Zing Went The Strings of My Heart is amazing, and it's one the fastest tempo tune Baker ever recorded. On several cuts, he plays the "Boo-bams", a bongo-type instrument invented by his friend Bill Loughborough.

The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frédéric Chopin in 1830, when he was twenty years old. It was first performed on 12 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his "farewell" concerts before leaving Poland. It was the first of Chopin's two piano concertos to be published, and was therefore given the designation of Piano Concerto "No. 1" at the time of publication, even though it was actually written immediately after the premiere of what was later published as Piano Concerto No. 2.

Jean Doyen was a French classical pianist, pedagogue and composer. Doyen is best known for his interpretations of 19th and 20th century French music, notably in the works of Gabriel Pierné, Reynaldo Hahn and Vincent d'Indy and is considered one of the great interpreters of this repertoire and above all, of Maurice Ravel and Gabriel Fauré. He also enjoyed playing Vincent d'Indy's Fantaisie sur un vieil air de ronde française and Samazeuilh's Trois Danses. However, he recorded Chopin's waltzes, and premiered the Variations sur un thème de Don Juan.

Tony Fruscella & Brew Moore - The 1954 Unissued Atlantic Session (1954) {Atlantic–Fresh Sound FSR-CD 660 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 306 Mb | MP3 @320 -> 146 Mb
Full Artwork @ 300 dpi (jpg) -> 39 Mb | 5% repair rar
© 1954-55, 2001 Atlantic / Verve / Fresh Sound Records | FSR-CD 66
Jazz / Cool / West Coast Jazz / Trumpet / Saxophone

Never before released in any format! These recordings are among the rarest treasures in jazz, unseen and unheard since Atlantic produced them in 1954, and their release can be considered an event for all the jazz community. This was a relaxed and easy session, essentially valuable for the musicians involved, trumpeter Tony Fruscella (1927-1969), and tenor Brew Moore (1924-1973), most particularly for the former, who died at 42.

Generally forgotten today, Romeo and Juliet is a satisfactory, if perfunctory, adaptation of Shakespeare's immortal tragedy. Cast as the "star cross'd lovers" this time out are Laurence Harvey, who's quite good, and Susan Shentall, who isn't. Whether or not Shentall would have improved with experience is a moot point, since she retired from the screen to get married soon afterward. Director Renato Castellani was showered with praise for his decision to lens the story on location in Italy. Less popular was his decision to delete several of Shakespeare's more famous passages, arguing that they held up the progress of the story (sometimes whole scenes, including the one with the apothecary, were chopped out).