Esoteric Recordings label is proud to announce the release of the very first 4CD collection of every album and single track recorded by the legendary Atomic Rooster between 1970-1974. Sleeping for Years is a clamshell boxed set anthologising all the recordings made by the band on the classic albums Atomic Rooster, Death Walks Behind You, In Hearing of Atomic Rooster, Made In England and Nice n’ Greasy and on such hit singles as Tomorrow Night and Devil’s Answer.
Atomic Rooster was formed by former Crazy World of Arthur Brown members Vincent Crane (Organ, Piano, Keyboards) and Carl Palmer (drums). Their self-titled first album was recorded in 1970 with Nick Graham on bass, vocals & flute, but the band soon splintered when Carl Palmer departed to join ELP…
Released in 1970, Just a Little Lovin' was the fourth (and last) studio album Carmen McRae cut for Atlantic Records in the late '60s/early '70s. The albums were for the most part a mix of pop and jazz songs with a decidedly pop angle. Just a Little Lovin' isn't too different, though it leans more toward the soulful end of the street. Producer Arif Mardin put McRae together with the Dixie Flyers studio band, backup singers extraordinaire the Sweet Inspirations, and an all-star horn section led by King Curtis, and then let her loose on the usual Beatles covers (a lifeless "Something," a very relaxed and sensual "Here, There and Everywhere," and a dramatic take on "Carry That Weight") and pop tunes like Jimmy Webb's "Didn't We" and Laura Nyro's "Goodbye Joe"…
The sole album released by a journeyman blues-rock band from Denmark in 1970, Blues Addicts is one of those records that gets its reputation for being so obscure rather than being a lost classic, frankly speaking. But as with everything, there's always a context for some sort of reissue somewhere, and its revival on the Shadoks label in 2008 reveals it to be enthusiastic and not entirely without interest, but there's not much else to say otherwise. Backing vocalist and guitarist Ivan Horn provides liner note details from an interview in 2002 about the band's history and the circumstances surrounding the recording - it's a brief but enjoyable tale of how a bunch of young enthusiasts took to the then-new sounds of acts like Cream and the Jimi Hendrix Experience with enthusiasm - while the fact that the group concentrated on originals rather than cover versions is definitely to their credit…