1980

The life of Dacian war-leader Burebista who ruled between 80-44 B.C.and founded a strong Dacian Kingdom despite considerable pressure from the neighboring Celtic warlords and the Greek cities of the Black Sea coast.

The life of Dacian war-leader Burebista who ruled between 80-44 B.C.and founded a strong Dacian Kingdom despite considerable pressure from the neighboring Celtic warlords and the Greek cities of the Black Sea coast.

„QUEEN BONA” – a historic epic set in the 16th century.
This is a great tribute to Bona Sforza, the Queen of Poland. Brilliant acting and beautiful costumes bring history to life and give a great outline of the 16th century Poland. It doesn't focus on any battles but rather on the politics of the time. Perfect for those who enjoy historical films.

Remake of Jules et Jim following the experiences over a decade of two friends who fall in love with the same woman, enjoyably satirising the 70's through the search by the three protagonists for their identities and making sharp attacks on cultural signposts of the decade along the way. The film also studies relationships, what its director calls "wanting something permanent yet wanting to be free".

Legend says that Antonio Bay was built in 1880 with blood money obtained from shipwrecked lepers, which no one believes. On the eve of the town's centennial, many plan to attend the celebrations, including the murdered lepers.

A young man is facing death of his mother. A petty corruption at his job leads to him being framed and robbed of his only desire to climb mountains in Himalayas, as his father did and where he died.

In late-1920s Berlin, Franz Biberkopf is released from prison and vows to go straight; however he soon finds himself embroiled in the city's criminal underworld.

Ulrich Maria Seidl is an Austrian film director, writer and producer.
His films aren't for everyone. With a tar-blackly comical spirit, Seidl depicts a modern universe that is bleak, crude, confrontational, mundane, explicit, and bracingly real. Seidl doesn’t just blur the line between documentary and narrative. He erases it. He does this so confoundingly well, in fact, that the question of “is it fact or fiction?” becomes utterly irrelevant when discussing his work.
Seidl's overarching directorial mission is to present a nearly hellish vision of modern life at its most grotesquely mundane. Rather than setting up more traditionally artificial climaxes and confrontations, he chooses instead to depict scenes from everyday life—some dramatic, most not—in which characters resort to depraved behavior out of what appears to be either boredom or a historically ingrained sense of purposelessness.

Having arrived at Berkeley to host the premier of Errol Morris' Gates of Heaven, Werner Herzog removes his shoes, places them in a pot with garlic and other herbs, and walks barefoot to a shoe store. If this seems bizarre, it is only because you may not be familiar with the legendary exploits of the ridiculously ambitious German director. Herzog's career includes several uniquely bizarre anecdotes, and has resulted in unexpected fatalities (on the set of Fitzcarraldo), a promissory leap into a cactus patch (after wrapping Even Dwarfs Started Small, and for which he still has spines lodged in his knee), and the mutual death threats exchanged with frequent collaborator Klaus Kinski.

Young Mohammad-Reza falls victim to tooth decay woes-and Kiarostami takes advantage of his misfortune by documenting the trauma of the subsequent dental appointment-crafting a humorous portrait eliciting empathy for a young man in a troubling situation familiar to many.