1982 Film

Desperate is the debut studio album and second overall album by Australian rock band Divinyls, released in 1983 by Chrysalis Records. The album contains the hits "Boys in Town", "Science Fiction" and "Siren (Never Let You Go)".Divinyls formed in 1980, founded by Mark McEntee and fronted by lead singer Chrissy Amphlett. After scoring several gigs, they were discovered by Australian director Ken Cameron. This led to Divinyls providing the entire soundtrack for his 1982 film Monkey Grip. Amphlett was also given a supporting role in the film, playing a temperamental rock singer loosely based on herself, fronting a band played by other Divinyls members. In the film, the band performed their debut single "Boys in Town", as well as other songs "Only Lonely", "Elsie", "Only You", "Girlfriends" and "Gonna Get You", the latter being the first appearance of them in the film. The soundtrack Music from Monkey Grip was acknowledged as a Divinyls album, and when released in 1982, it made the top twenty-five of the Australian Albums Chart.

As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the missus' brother. A roguish country-western musician, he has just been invited to audition for the Grand Ole Opry, his chance of a lifetime to become a success. However, this is way back in Nashville, Red clearly drives terribly, and he's broke and sick with tuberculosis to boot. Whit, 14, seeing his own chance of a lifetime to avoid 'growing up to be a cotton picker all my life,' begs Ma to let him go with Uncle Red as driver and protege. Thus begins a picaresque journey both hilarious and poignant.

Scénario du film Passion, Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

Zipper Catches Skin is the 14th studio album by Alice Cooper, released in 1982. Produced by Cooper and his bassist at the time, Erik Scott, Zipper Catches Skin is musically known for its dry and energetic pop-rock style with punk rock and post-punk influences and less emphasis on hard riffs, carrying on a similar musical direction of the preceding Special Forces with sonically slicker and clearer results.