1989 Val

Arthur Prysock/Count Basie documents a set of wonderful mid-'60s cuts in which Arthur Prysock came the closest of any replacements to duplicating the Joe Williams sound in the Basie orchestra. Seven saxes are led by Lockjaw Davis in a big band that drives Prysock. Of the 14 songs, the best are "I Could Write a Book" and "Don't Go to Strangers."

"Empty Sky" is the debut studio album by British singer-songwriter Elton John, released on 6 June 1969. It would not be released in the United States until January 1975 (on MCA), with different cover art, well after John's fame had been established internationally.

Master Your Mental Chessboard: Clear Visualization for Enhanced Strategy, Decision Making, and Game Analysis

"Empty Sky" is the debut studio album by British singer-songwriter Elton John, released on 6 June 1969. It would not be released in the United States until January 1975 (on MCA), with different cover art, well after John's fame had been established internationally.

Mastering Chess Calculation: Reinforce your Chess Tactics and Strategy through effective Calculation processes

San Francisco psychedelic folk-rock unit It's a Beautiful Day was primarily the vehicle of virtuoso violinist David LaFlamme, born April 5, 1941 in New Britain, Connecticut but raised in Salt Lake City, Utah. After beginning his musical education at age five, LaFlamme later served as a soloist with the Utah Symphony, following an army stint by settling in the Bay Area in 1962. There he immersed himself in the local underground music scene, jamming alongside the likes of Jerry Garcia and Janis Joplin; after his short-lived Electric Chamber Orchestra splintered, LaFlamme also co-founded an early incarnation of Dan Hicks & His Hot Licks before assembling It's a Beautiful Day in mid-1967.

By the time Shelby Lynne won her Best New Artist Grammy, she'd already completed six albums and had over a decade of recording experience under her belt. Yet in a way, the award was appropriate, since I Am Shelby Lynne was the album that finally found her taking control of her music, following years of casting about in search of an identity. Lynne's work ranged through country, blues, Southern soul, roots rock, Western swing, jazz, and adult contemporary pop; naturally, that eclecticism made her difficult to market, and it also resulted in pressure to record more commercial, radio-friendly material that didn't really suit her.