2 Closer

Dedicated fans of Sarah McLachlan had a lot to buy in 2008, when the Canadian songwriter issued three retrospective albums. Rarities, B-Sides & Other Stuff, Vol. 2 led the pack in April, followed by a deluxe edition of Fumbling Toward Ecstasy several months later. Closer: The Best of Sarah McLachlan brought up the rear, arriving in October and compiling McLachlan's greatest hits along with two new songs. "Don't Give Up on Us" and "U Want Me 2" are standard McLachlan tunes, mixing adult contemporary songcraft with the soothing, evergreen vocals that helped her rise to prominence.

The definitive Jay & the Americans collection, Come a Little Bit Closer: The Best of Jay & the Americans, collects the highlights of the band's career with each of its lead singers, Jay Traynor and Jay Black. Traynor was the voice behind the group's first big hit, 1962's "She Cried," as well as singles like "Dawning," the melody of which cleverly mimics Edvard Grieg's "Morning Mood" and a laid-back version of "Tonight" from West Side Story. It's too bad that the Americans didn't wait to record that last song until Black had entered their fold. His impressive range and theatrical delivery made songs like "Only in America" sound like they were from some forgotten musical and made the band's version of "Crying" closely rival Roy Orbison's original. Along with the title track, "Come a Little Bit Closer" also features the hits "Cara Mia" – one of the best showcases for Black's vocal prowess – and "This Magic Moment," as well as sound-alike follow-ups like "Let's Lock the Door (And Throw Away the Key)," "Some Enchanted Evening," and "Sunday and Me".

You don’t come to Chromatics for the songs so much as the opportunity to linger in the world in which the songs transpire: Eerie, stylish, unsettled but seductive—a horror movie so pretty you don’t see the silver for blade or the red for blood until it’s too late. Surprise-released in late 2019 after a years-long period during which they teased an entirely different album (the hypothetical Dear Tommy, whose 25,000 physical copies producer/songwriter Johnny Jewel supposedly destroyed), Closer to Grey leans on the lighter side of the band’s sound, shifting between beatless meditations (“Wishing Well”, an unnerving take on “The Sound of Silence”) and brittle, ethereal synth-pop (“You’re No Good”, the downtempo “Light as a Feather”).