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G.E.N.E. (Grooving Electronic Natural Environments) is a Canadian New Age instrumental band. The idea of this world-famous project was born in June 1987, during a conversation under the stars around a campfire and tents on the shore of the lake in the Canadian woods. That night, Cleo de Mallio took the first steps in a musical odyssey that is still not completed. The conversation was carried on the nature and technology, the world and machines, the new digital sound and lofty emotions. Father of the project and the producer is Michael Weisser - founding member of the German band Software, one of the disciples of the legendary Klaus Schulze, the founder of the company's IC/Digit music, on which he produced G.E.N.E. and Software. Michelle Weisser - it is not trivial producer who invested and believed in the idea…

The 1990 collection The Very Best of Elton John (available in the U.K. and Australia) is an excellent 30-track summary of his peak years, running from "Your Song" to "You Gotta Love Someone." In a sense, it's the concise counterpart to the box set To Be Continued, released that same year but spanning four discs and filled with rarities…

Soilwork is back with their twelfth studio album, which represents the band in their growth and their current phase of life, which is marked by a time period that probably no one on this planet will forget so quickly.
Unlike the albums before, the creation process of Övergivenheten was very lengthy and a representation of the emotional state of the guys from Soilwork. Recorded at Nordic Sound Lab in Skara, Sweden again with producer Thomas “Plec” Johansson, who also produced the last two projects, the album was written and recorded over three sessions between January and December 2021. There was no hurry to finish the album, which meant on the other side that the band was able to reflect on their music and savor the process of creating the album…

Après un premier disque consacré à Johann Jakob Froberger (1616-1667), le Duo Coloquintes s’intéresse à Louis Couperin (1626-1661) et enregistre cinq suites extraites des manuscrits pour clavier, transcrites ici pour violon et viole de gambe. On y trouvera des danses aux côtés de pièces d’orgue ou encore de la Piémontaise, et de quelques Fantaisies. Les œuvres de ce programme sont extraites des manuscrits de Parville, Bauyn, et Guy Oldham.