2010 cd

Ars Nova is back with a new cd which is different than their previous records. This new cd actually has a singer which plays one of the main roles along with the keyboards department. Ars Nova is still splendidly symphonic, however, this time things are a little different since there are vocals, violins and so on…

Ultimate is a greatest hits compilation album by UK electronic music band Pet Shop Boys. It is their third greatest hits album, released on 1 November 2010 by their long-time label Parlophone. The album contains 18 previously-released singles, in chronological order, and one new song ("Together"). Ultimate was released to celebrate 25 years since the band's first single release "West End Girls" in standard single-CD and expanded CD/DVD configurations. It charted at #27 on the UK Albums Chart on 7 November 2010 and at #50 on the European Hot 100 Albums on 20 November 2010. In addition to the hits, the deluxe package also includes a DVD with previously unreleased performances from the BBC as well as their 2010 headlining performance at Glastonbury.

One does an aural double take upon hearing the opening bars of “Raised on Rock,” the first track from the Scorpions Sting in the Tail. Rudolph Schenker's opening power chord riff and guitar tone sound like something from 1976’s Virgin Killer, or 1979’s Lovedrive…

Ambient/downtempo is not the style primarily associated with conceptual symphonies, but the one-man project Schiller (Christopher von Deylen) pulls it off remarkably well on Atemlos (Breathless), mostly by a clever mix of different types of musical material. The atmospheric bits that form the majority of Atemlos are tempered by straight-on Europop recorded with the help of guest vocalists, all of whom recite their lines in slightly pompous half-whispers typical for new age, but still to good result: the otherworldly-but-catchy dance pieces - with the occasional bit of pop/rock instrumentation - go a long way toward explaining why the record charted in the German Top Three…

With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai. Throw in her ability to sell a lyric and carry a strong melodic vocal phrase while also throwing down some devastating slabs of heavy metal riffage, and she starts to look a heckuvalot like the fantasy love child of Prince and Lita Ford.

There is no doubt that Pain of Salvation is one of the most unique and controversial bands in the progressive music genre. They have changed their sound with nearly every album they've released and have drawn both praise and anger for their ambitious lyrics and songwriting. Despite having gotten a preview of Road Salt One's sound with the release of the Linoleum EP in 2009, this effort still manages to be one of the biggest stylistic jumps in the band's twenty year career.
As many listeners have pointed out, this release makes use of a more basic band approach and shows a lot of influence from 1970s rock music. In this sense, it shows several similarities to the band's 1997 debut. But while that album was driven by funk influence, this album features a bluesy feel that is especially apparent on songs such as "Tell Me You Don't Know"…