2021

Sarah Rebecca was born and raised in Ocean Springs, Mississippi. From the age of five, she dresses up in long dresses and warns her parents that singing and music will be her life.

EXCEPTIONAL LATE -1974 CONCERT FROM DICKEY BETTS GREAT AMERICAN MUSIC SHOW After the death of Duane Allman in late 1971, Dickey Betts became the Allman Brothers Band’s sole guitarist and also took on a greater singing and leadership role. Betts, over the course of one night traveling, practiced slide guitar intensively in order to cover the majority of Duane parts. He went on to write ‘Jessica’ and the Allmans biggest commercial hit, ‘Ramblin Man’. Betts first solo album, Highway Call, was released in 1974, and featured fiddle player Vassar Clements. By this time, in large part due to Capricorn Records huge albeit unexpected success, more lucrative than anyone could have dreamed. Betts found himself free to pursue almost anything he desired musically. This situation allowed him to record Highway Call, and to perform with countless great musicians for the pure joy of playing, without any expectations of making money in the process.

EXCEPTIONAL LATE -1974 CONCERT FROM DICKEY BETTS GREAT AMERICAN MUSIC SHOW After the death of Duane Allman in late 1971, Dickey Betts became the Allman Brothers Band’s sole guitarist and also took on a greater singing and leadership role. Betts, over the course of one night traveling, practiced slide guitar intensively in order to cover the majority of Duane parts. He went on to write ‘Jessica’ and the Allmans biggest commercial hit, ‘Ramblin Man’. Betts first solo album, Highway Call, was released in 1974, and featured fiddle player Vassar Clements. By this time, in large part due to Capricorn Records huge albeit unexpected success, more lucrative than anyone could have dreamed. Betts found himself free to pursue almost anything he desired musically. This situation allowed him to record Highway Call, and to perform with countless great musicians for the pure joy of playing, without any expectations of making money in the process.

Although it follows the same patterns and approach as Cycles, My Way is a stronger album, with a better, more varied selection of material and a more focused, gutsy performance from Frank Sinatra. Built around the hit single "My Way," the album again alternates between rock covers ("Yesterday," "Hallelujah, I Love Her So," "For Once in My Life," "Didn't We," "Mrs. Robinson"), a couple of adapted French songs, and a handful of standards. This time out, Don Costa has written more engaging charts than the previous Cycles. The Beatles' "Yesterday" is given an affecting, melancholy treatment that brings out the best in Sinatra, as does the new arrangement of "All My Tomorrows," which is lush and aching. If Sinatra doesn't quite pull off the R&B of "Hallelujah, I Love Her So," he does sing the light Latin stylings of "A Day in the Life of a Fool" beautifully, and he has fun with Paul Simon's "Mrs. Robinson," changing the lyrics dramatically so they become a tongue-in-cheek, swinging hipster tribute. For that matter, most of the record is successful in creating a middle ground between the traditional pop Sinatra loves and the contemporary pop/rock that dominated the charts in the late '60s. My Way doesn't have the macho swagger of his prime Rat Pack records, but its reflective, knowing arrangements show that Sinatra could come to terms with rock & roll at some level.

Although it follows the same patterns and approach as Cycles, My Way is a stronger album, with a better, more varied selection of material and a more focused, gutsy performance from Frank Sinatra. Built around the hit single "My Way," the album again alternates between rock covers ("Yesterday," "Hallelujah, I Love Her So," "For Once in My Life," "Didn't We," "Mrs. Robinson"), a couple of adapted French songs, and a handful of standards. This time out, Don Costa has written more engaging charts than the previous Cycles. The Beatles' "Yesterday" is given an affecting, melancholy treatment that brings out the best in Sinatra, as does the new arrangement of "All My Tomorrows," which is lush and aching. If Sinatra doesn't quite pull off the R&B of "Hallelujah, I Love Her So," he does sing the light Latin stylings of "A Day in the Life of a Fool" beautifully, and he has fun with Paul Simon's "Mrs. Robinson," changing the lyrics dramatically so they become a tongue-in-cheek, swinging hipster tribute. For that matter, most of the record is successful in creating a middle ground between the traditional pop Sinatra loves and the contemporary pop/rock that dominated the charts in the late '60s. My Way doesn't have the macho swagger of his prime Rat Pack records, but its reflective, knowing arrangements show that Sinatra could come to terms with rock & roll at some level.

[center}[b]Frank Sinatra - My Way (1969/2021) (SACD)
SACD DSD64 (iso & tracks, scans) 2.0 (2,8 MHz/1 Bit) - 2 GB
50:01 | Jazz, Pop, Big Band, Vocal | Label: Stereo Sound
Although it follows the same patterns and approach as Cycles, My Way is a stronger album, with a better, more varied selection of material and a more focused, gutsy performance from Frank Sinatra. Built around the hit single "My Way," the album again alternates between rock covers ("Yesterday," "Hallelujah, I Love Her So," "For Once in My Life," "Didn't We," "Mrs. Robinson"), a couple of adapted French songs, and a handful of standards. This time out, Don Costa has written more engaging charts than the previous Cycles. The Beatles' "Yesterday" is given an affecting, melancholy treatment that brings out the best in Sinatra, as does the new arrangement of "All My Tomorrows," which is lush and aching. If Sinatra doesn't quite pull off the R&B of "Hallelujah, I Love Her So," he does sing the light Latin stylings of "A Day in the Life of a Fool" beautifully, and he has fun with Paul Simon's "Mrs. Robinson," changing the lyrics dramatically so they become a tongue-in-cheek, swinging hipster tribute. For that matter, most of the record is successful in creating a middle ground between the traditional pop Sinatra loves and the contemporary pop/rock that dominated the charts in the late '60s. My Way doesn't have the macho swagger of his prime Rat Pack records, but its reflective, knowing arrangements show that Sinatra could come to terms with rock & roll at some level.

Office 365 ProPlus, the cloud-connected version of Office, delivers the most productive and most secure Office experience—with the lowest total cost of ownership for deployment and management. However, for customers who aren’t ready for the cloud, Office 2019 provides new features and updates to the on-premises apps for both users and IT professionals. Like Windows Long Term Servicing Channel (LTSC) releases, Office 2019 provides a set of valuable enhancements for customers who can’t be cloud-connected or receive regular updates.

From the opening She Said, She Said rocked up by The Black Keys to the closing Let It Be reimagined in jazz, Joshua Redman’s saxophone giving that beautiful familiar tune soaring gospel and a good deal of improvisation too, we get new ways to see these songs.
Don’t Let Me Down gets dub treatment, She & Him go near calypso with I Should Have Known Better, Damon and Naomi give us an airy almost religiously meditative While My Guitar Gently Weeps, Jim James doing the same to another Harrison Long Long Long and The Melvins go grunge on I Want To Hold Your Hand.

This is the latest version of Windows OS releases, with new interface and other new features like new Microsoft Store, a new personalized feed powered by AI and best-in-class browser performance from Microsoft Edge, Chat from Microsoft Teams integrated in the taskbar and many more!