2024

On the 150th anniversary of the birth of Charles Ives - acclaimed by his champion Leonard Bernstein as the 'first great American composer', who, 'all alone in his Connecticut barn, created his own private musical revolution' - Sony Classical presents the most authoritative recording collection ever released of works by this eccentric, prophetic genius. The 5-CD box set 117 tracks 'Charles Ives - The Anniversary Edition' is a unique and provocative introduction.

LOS ANGELES—David Coverdale, the powerful voice behind Whitesnake and former Deep Purple frontman, sees his solo work shine brightly in a new collection featuring remixed, remastered, and revisited versions of his solo albums WhiteSnake (1977), NorthWinds (1978), and Into the Light (2000).

The Passio secundum Joannem or St John Passion BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the earliest of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on 7 April 1724, at Good Friday Vespers at the St. Nicholas Church.

Herbert von Karajan was the most renowned conductor to emerge from Europe in the post-World War II era – and through fortuitous timing throughout his career, and in spite of controversy that dogged his early years, he was the most recorded conductor of the 20th century, and is likely to remain one of the most visible (and biggest-selling) conductors well into the 21st century. Born in Salzburg and descended from a family of Greek origin with deep roots in Austria – including scholars and physicians in Vienna and Salzburg – he was a music prodigy, playing the piano at three and playing his first recital a year later.

The four orchestral suites BWV 1066–1069 (called ouvertures by their composer) are four suites by Johann Sebastian Bach from the years 1724–1731. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture.

Nati Mistral (Natividad Macho Álvarez, * December 13, 1928 in Madrid; † August 20, 2017 ibid) was a Spanish singer and actress.

In the 1980s, as the movement for historically informed performance was booming, there was a sudden flurry of attempts by period-instrument ensembles to record all of Haydn’s 106 symphonies. It was perhaps inevitable that none of them would reach the summit of this musical Everest – most made it about halfway up to this ambitious and costly undertaking.

Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.

All 37 songs from Europe's favourite TV show contest together on this official compilation. This 68th edition of the competition will take place in Malmö, Sweden, in May.

One of French pop's most poetic songwriters, Georges Brassens was also a highly acclaimed and much-beloved performer in his own right. Not only a brilliant manipulator of language and a feted poet in his own right, Brassens was also renowned for his subversive streak, satirizing religion, class, social conformity, and moral hypocrisy with a wicked glee. Yet beneath that surface was a compassionate concern for his fellow man, particularly the disadvantaged and desperate. His personal politics were forged during the Nazi occupation, and while his views on freedom bordered on anarchism, his songs expressed those convictions more subtly than those of his contemporary, Léo Ferré. Though he was a skilled songwriter, Brassens had little formal musical training, and he generally kept things uncomplicated – simple melodies and spare accompaniment from a bass and second guitar. Along with Jacques Brel, he became one of the most unique voices on the French cabaret circuit, and exerted a tremendous influence on many other singers and songwriters of the postwar era.