20th Century Masters

12 of the biggest '70s hits and most memorable duets that Donny and Marie Osmond recorded before taking their superstar act to TV! Includes their smooth pop hits I'm Leaving It (All) Up to You; Morning Side of the Mountain; Deep Purple; Make the World Go Away; Paper Roses and more.

A lotta funk power, a lotta soul power-and some gems you won't find on other collections. Joining I Got You; Papa's Got a Brand New Bag; Get on the Good Foot; Cold Sweat; Soul Power; Prisoner of Love, and It's a Man's Man's Man's World are his early ballad Try Me; his often overlooked 1968 hit America Is My Home and more.

Assembled with the cooperation of the band, Styx's entry in Universal's 20th Century Masters – The Millennium Collection series of discount-priced best-of's, surveys the group's tenure at A&M Records, where they scored most of their popular success…

The Best of The Velvet Underground: The Millennium Collection is a compilation album by The Velvet Underground. It was initially released for the North American market by Polydor in October 2000 as part of their "20th Century Masters" series of budget compilations celebrating the turn of the century.

20th Century Masters – The Millennium Collection: The Best of Eric Clapton is a compilation album by the British rock musician Eric Clapton. It was released on 15 June 2004, by Polydor Records and is part of Universal's 20th Century Masters – The Millennium Collection series. The compilation album has eleven tracks that Clapton recorded in the 1970s both as a solo artist and with Derek and the Dominos. Glyn Johns produced the album in association with Tom Dowd. Although the release sold 1,366,610 copies in the United States, it has not been certified platinum by the Recording Industry Association of America.

Spanning his first hit "Make Believe" to early-'80s singles such as "Tight Fittin' Jeans," Conway Twitty's 20th Century Masters - The Millennium Collection does a decent job of presenting his career highlights in a dozen songs. "Hello Darlin'," "You've Never Been This Far Before," and "After the Fire Is Gone" are some of the other highlights from this somewhat abbreviated collection; The #1s Collection provides a far deeper look into Twitty's body of work, but this album will probably satisfy most casual fans.

Joan Osborne set the world on fire for a few minutes back in the '90s with her reading of Eric Bazilian's "One of Us," a single that dominated the charts for the better part of a year and continues to get radio play. The album, Relish, sold into the millions, making everybody and her brother (especially the folks at her label Interscope) think she was going to be a superstar. It didn't work out that way. Despite being one of the greatest R&B and soul singers around (before she played in the big leagues she issued a few independent recordings on her own Womanly Hips label that offer stellar proof of this), she got her rep as a pop singer; worse yet, as part of the '90s wave of female acts who dominated the charts for a little while and was a part of the first Lilith Fair, while singing pop songs at half power no less. She recorded one more album for Interscope (which is owned by Universal).

12 straight-shootin' classics from the most adventuresome man in country music. This compilation picks up the songs after he left Columbia in 1986 and signed with Mercury.

This package chronicles 30 years of Moddy Blues recordings. Track includes "Nights in White Satin," "Question," "The Voice," "I'm Just a Singer (In a Rock And Roll Band).

Barrett Strong was there for the very early days of Berry Gordy's Motown empire, but his sound bears no resemblance to the later smooth soul stylings that dominated the label's output. He was a R&B rocker all the way. His most famous song is Gordy's first smash hit, "Money (That's What I Want)" from 1960 on the Anna label. The rest of the disc contains some solid R&B ballads like "Oh Yes I Apologize" and "Do the Very Best You Can" and Strong's strong suit, raw rockers like "You Knows What to Do," "Yes No Maybe So," and "Let's Rock." The collection's highlights are a couple of songs, the bitter and tough lament "Two Wrongs Don't Make a Right" and the haunting Steve Mancha-penned "Misery." From the sound of these two songs, Strong had what it took to be a full-fledged Soul Man. Sadly, however, his career behind the mic stalled quickly and apart from "Money (That's What I Want)," he has been forgotten.