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Amazon Review by Adrian Clark
'Golden' is one word that you really can associate with this generous compilation, whose tracks cover the 1920s up to the mid 1970s. Most of the songs on this compilation would have been played on the various radio programmes multiple times during the 1950s and 1960s and anyone who listened to the radio regularly around this period will find them instantly recognisable. This was a period when innocence ruled the airwaves and these cheerful, light songs- many of which were chart hits- would have been sung along to in many homes.

A 76 track celebration of all things Manchester from 1977 to 1981.
A comprehensive look at the city’s sounds featuring Buzzcocks, Joy Division, New Order, The Fall, John Cooper Clark, Durutti Column, A Certain Ratio, The Freshies, Slaughter & The Dogs, Magazine and many more. Includes tracks featuring many future stars of the Manchester music scene, such as Mick Hucknall (Simply Red), Martin Coogan (The Mock Turtles), Graham Massey (808 State), Mike Joyce (The Smiths) and Chris Sievey (Frank Sidebottom). Back in 2017, Cherry Red unveiled a mammoth 7-CD compendium entitled ‘Manchester North Of England’, which attempted to document the city’s vibrant music scene from punk to Britpop. Six years on, ‘Keeping Control’ is the sequel, a modest triple-disc retrospective concentrating on music from the punk and post-punk years.

Since his emergence in the 1980s as the driving creative force behind UK big band Loose Tubes, Django Bates has been cheerfully subverting expectations, slaughtering scared cows and generally making a euphonious nuisance of himself, but he’s really gone and done it this time.

Full Title - Rock Island Line - The Singles Anthology 1955-1967. The first comprehensive singles anthology for the UK musical pioneer. 86 tracks across three CDs (slimline) in a slipcase box, many appearing on CD for the first time. All Lonnie's A & B-sides between 1955-67, including his very first hit 'Rock Island Line'. The first time his Decca & Pye recordings have been compiled in the same package. More than 30 UK hits, including three UK #1s. Castle. 2002.

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To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols – he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. What's more, his music, like that of Presley and Haley, was vital to the early musical careers and future histories of the Beatles, the Stones, and hundreds of other groups. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act.

To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols – he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. What's more, his music, like that of Presley and Haley, was vital to the early musical careers and future histories of the Beatles, the Stones, and hundreds of other groups. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act.