". . . [there are numerous times] when subtlety and beauty of his vocal effects take the breath away: the dazzling light and rapid fade, for instance, during the syllables of the word "lumière" [in act one] . . . Sophie Koch puts her best tonsils forward singing the agonized Charlotte of act three, while Eri Nakamura is suitably bubbly [as Sophie] . . . Villazón's ardour finds its match in Antonio Pappano's conducting. He never shrinks from the luscious ache in Massenet's music or its dramatic bustle. Nocturnal sighs; bucolic whooping; dark melodramatics: the Royal Opera House orchestra takes care of them all." ~The Times