Max Richter announces his ninth studio album ‘In a landscape’. The new album marks a significant evolution in Richter’s musical journey, as he delves deeper into the themes of optimism and human emotion accompanied by an innovative exploration of electronic sounds and field recordings. It is a record about reconciling polarities, bringing together the electronic and the acoustic, the human and the natural world, the big questions of life and the quiet pleasures of living – a fleeting self-portrait of a musician in constant motion. He says: “the music on the record is about connecting or reconciling polarities. The electronics with the acoustic instruments, the natural world with the human world, and the big ideas of life with the personal and intimate”.
Mad Max is a German hard rock band from Münster. The "New Wave Of British Heavy Metal" was the starting point for Mad Max founder and guitarist Jürgen Breforth in 1982 to make his musical dreams come true. In 2022, after 15 albums and concerts around the world, Mad Max celebrates the band's 40th anniversary with the new album "Wings Of Time". But no trace of standstill, singer Michael Voss and bassist Thomas "Hutch" Bauer have left the band, with Julian Rolinger on lead vocals and Fabian "Fabs" Ranft on bass, Mad Max perfectly capture the style and vibe of their 80s, but also bring the Mad Max sound one step further.
Max Bruch has never made things easy for fond listeners or performers of music; his contemporaries found him hard to handle, and so have later generations. The reason behind this has nothing to do with the superlative, worldwide renown of the first of his violin concertos, or with his musical language, which had already fallen out of fashion when he died exactly a hundred years ago. Instead, Bruch himself much too quickly and all too often lost his faith in his "musical progeny" because he did not have the patience to let them mature in peace and to secure a place in the broader public consciousness. This applies to the opera Die Loreley, which offers a rewarding listening experience, as well as to his three symphonies composed between 1868 and 1882 and originally intended as a series of works forming a trilogy.
This series of Italian cantatas by three eminent contemporaries makes for refined and focused listening. Cencic…marries virtuosity with colour. The result is singing of great reach and range, in which verbal sensitivity and bravura execution are usually put at the service of the music.
Following years of buildup and a whopping eight singles, Ava Max finally delivered her first official studio full-length, Heaven & Hell. Well worth the extended promotion, the album is a masterful pop debut, one of those might-as-well-be-a greatest-hits collections like Lady Gaga's The Fame, Dua Lipa's self-titled LP, or Katy Perry's One of the Boys. Indeed, Max is a kindred spirit with those hitmakers, both in vocal delivery and her knack for picking out an effective earworm, of which there is an embarrassing abundance on Heaven & Hell. Thematically divided into those two titular sides, the album takes that well-worn dichotomy and splits the track list between energetic bops and moodier – but no less catchy – doses of dark pop, all bound together by primary producer Cirkut (Marina, Katy Perry, Kim Petras).