Sigmund Snopek III is the multi-instrumentalist from Milwaukee. After two fruitless cracks at the mainstream market with his band Snopek, Sigmund Snopek returns to his eclectic roots with this fusion of prog rock, jazz, and scattered musical turns that defined his pre-Thinking out Loud period. This album consists of just three tracks, the opening one being the 29-minute, 12-part, predominantly instrumental "Ride in the Dark," which embodies Snopek's entire career repertoire. At various stages of this piece, influences as diverse as Gentle Giant, Jeff Beck, and Steve Hackett-era Genesis surface. Sigmund Snopek's keyboard style combines the electronic noodling of Michael Hoenig and the wizardry of Patrick Moraz, but the commanding guitar of Byron Wiemann drives this lengthy track as much as Snopek's efforts…
Voulez-vous découvrir le secret du cône de lumière ? Savoir quelle fut la plus grande erreur d'Albert Einstein ? Faire la connaissance de Gabby Williams, l'enfant qui a oublié de vieillir ? Ou du médecin néandertal qui soignait ses congénères avec des antibiotiques et de l'aspirine ? Igor et Grichka Bogdanov nous proposent dans cet incroyable ouvrage un voyage haletant aux confins de la science et de ses prouesses les plus extraordinaires à la vitesse de la lumière ! MathématiqueS, Physique, Technologie, Homme, Nature…
To celebrate the 80th birthday of the legendary American composer, The Complete Sony Recordings is the first ever release of Philip Glass Sony Classical recordings together in a limited-edition box set. The 24-CD set includes the first ever release of Glassworks specially mixed for your personal cassette player on CD, a 44 minute interview with Philip Glass on Glassworks (previously only available on a Columbia 7 ), a hard bound book with the original liner notes, most penned by Glass himself, plus full discographical notes and complete libretti.
Ferlendis composed four oboe concertos which, up until now, existed only in nineteenth-century copies of the scores, with only one being recorded. This is the first time these have been recorded on CD. Although the concertos contain some clear elements of Mozartian coinage, their melodic wealth of ideas and natural elegance point to the composer’s Italian temperament. Six trios, here in the instrumentation for oboe, flute, and bassoon, round off the recording.