39 Minutes of Bliss

It lacked the delicious hooks and tight funk of Composite Truth, but Just Outside of Town was as solid and confident a piece of music-making as the band ever accomplished. The single "Mango Meat" is a tough Latin funk number with some inspired group harmonizing, and Mandrill stretched out with a pair of love songs, "Never Die" and the aptly titled "Love Song," the latter beginning with a few minutes of atmospheric bliss that boasted unrealized cinematic/soundtrack possibilities.

…To my ears she is at her creamy, relaxed best, evincing no strain at all. Her trill is firmly in place, her divisions clean, her tone even through its range and her arcing phrases soar serenely above the stave. This selection encompasses both dreamy, long-breathed arias and impassioned pyrotechnics…

As a Chilean-born composer and pianist living in Australia, I have nurtured a penchant for bringing Latin American vernacular music into the classical concert hall. Both of these musical traditions are widespread and possess an immense canon fashioned by many an inspired composer. Just as significant, both have been greatly impacted by a myriad of interactions with vernacular music over several centuries. A brief survey of the Western tradition may identify composers such as Mozart and Beethoven engaging with Turkish music, Bartók with Eastern European folk music, or Bizet and Debussy with Spain.

Dhafer Youssef - Abu Nawas Rhapsody (2010) {Jazzland Recordings 0602527295565}
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© 2010 Dhafer Youssef / Jazzland Recordings | 0602527295565
Spiritual Sufi / World Jazz Fusion / Ethnic Jazz / Mysterious / Oud

Acclaimed for his fusion of world music with jazz, vocalist and oud player Dhafer Youssef now focuses more on the acoustic side of jazz with an exciting new quartet that includes pianist Tigran Hamasyan, bassist Chris Jennings and drummer Mark Guiliana. This new recording contrasts the sense of calm and serenity created by Dhafer's mesmeric voice and oud playing with Guiliana's trademark combination of energetic rhythmic multiple layers. The very special mix of musical elements and creative talent produces a new and original soundscape. With the musicians' commitment to exploring and experimenting paired with their subtlety and courage to be silent, it is sure to catch the ear of any attentive listener.

Over 70 minutes of previously unreleased material, in pretty good fidelity, patched together from live recordings, studio outtakes, and TV soundstage tapes recorded by four different lineups of the band at various points in the late '60s. Their compositions weren't as striking or original as those of their primary inspirations (the Airplane and Moby Grape), but the band were adept at both concise, harmony-driven numbers and jams with some sparkling guitar interplay. It's worth hearing for those with a passion for the San Francisco psychedelic sound, although it actually doesn't include their best cuts. Those are found on their one official release (a 1968 locally distributed three-song EP), which has been reissued on a Big Beat compilation of rare '60s San Francisco psychedelia, The Berkeley EPs.

The Flamin' Groovies - Groovies' Greatest Grooves (1989) {Sire Records 925948-2 rec 1971-1979}
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© 1971-79, 1989 Sire Records / Warner | 9 25948-2
Rock / Power Pop / Proto-Punk / Rock & Roll / Roots Rock

During their early period with Roy Loney as lead singer, the Flamin' Groovies made one great album (Teenage Head), one very good one (Flamingo), and one that was flawed but enjoyable (Supersnazz). When Cyril Jordan took over as the band's unquestioned leader following Loney' s departure, the Groovies shifted gears from supercharged roots rock to neo-British Invasion pop, and while every record they released had more than a few brilliant moments, they seemed incapable of making an album that was solid from front to back. Thankfully, some bright penny at Sire Records got the idea of putting together a Flamin' Groovies compilation CD, and the result, Groovies' Greatest Grooves, makes a superb case for the inconsistent but undeniable brilliance of their post-Loney repertoire.

Ben Curtis' desertion of Secret Machines and the breakup of On!Air!Library! was justified by this group's first single, a sky-gliding confection that modernized the sighing, swirling, private dancefloor sides of Medicine, Seefeel, and My Bloody Valentine. Included as the finale on Alpinisms, the debut album from Curtis and O!A!L!'s singing Deheza twins, "My Cabal" has the feel of a bonus track; the later recordings that precede it, despite remaining squarely within the domain of late-'80s/early-'90s dream pop in terms of inspiration, are relatively individualist, going well beyond the lucid psychedelia and discreet flickers of Afro-beat and contemporary pop. What pushes these songs past mere worship involves cunning collisions of robust rhythm, caressing noise, and heavenly melody, with each element equally crucial. Good shoegaze/dream pop bands mastered one of them; the most exceptional of the heap, like this group, had all three down. The most striking example here is "Wired for Light," seemingly spawned by Siouxsie and the Banshees' "Peek-A-Boo" and M/A/R/R/S' "Anitina," full of clacking percussion that rattles the ribs, Middle Eastern accents, gale-force atmospherics, and layered vocals that could be casting a spell.

On 21st and 22nd April, 1983, Brian May was joined at Record Plant Recording Studios, Los Angeles, California, U.S.A. by his friends Eddie Van Halen (guitar), Alan Gratzer (drums), Phil Chen (bass), and Fred Mandel (keyboards). The output of the two days’ sessions was captured on a 3-track mini album and released on October 31st, 1983, titled Brian May + Friends: Star Fleet Project. Now celebrating its 40th anniversary, Star Fleet Project will be given the full reissue treatment as part of Brian’s ongoing Gold Series. Brian and his studio team, Justin Shirley-Smith and Kris Fredriksson, have created a completely new 2023 mix of the sessions from the original multi-track master tapes, and the artwork has been completely digitally recreated from the original 1983 source material, to give fans the very best experience at the highest possible quality.