3dmotive Animation Pipeline in Ue4 Volume 3

In this course, we?ll dissect the process for creating Quick Time Event driven animations in Maya. After exploring the fundamental needs of basic character locomotion and interaction, we?ll prepare and export our animations to Unreal 4.

In this course, we’ll dissect the process for creating Quick Time Event driven animations in Maya. After exploring the fundamental needs of basic character locomotion and interaction, we’ll prepare and export our animations to Unreal 4.

In this series, we jump into creating textures in Zbrush using polypainting. We’ll examine the mesh and review references for the model and then we’ll do a small exploration into matcaps and colours.

Take your animated characters from Maya - to moving around in your level in Unreal Engine 4

In this course, instructor Greg Mirles walks us through the process of building a side-scroller level using both 3ds Max and Unreal engine 4. Here he will be covering his workflow for breaking down the concept, building and texturing the meshes, and then using a side-scroller UE4 blueprint to import the meshes and build the base game functionality..

In this series, we jump into creating textures in Zbrush using polypainting. We’ll examine the mesh and review references for the model and then we’ll do a small exploration into matcaps and colours. We’ll then begin to layer in a foundational skin tone before using the spray brush with an alpha to help create the imperfections usually found in skin. We’ll use cavity masking to help us creating some shadowing and then the spray brush again to help give our demon head a five o’clock shadow! We mock up some ideas for eye colouration before finally adding a base colour to the horns to contrast with the skin of the demon!