For his fourth outing as a leader, Mark Turner puts together a set of ballad standards. His usual quintet is mostly still in place, with Kurt Rosenwinkel on guitar, Larry Grenadier on bass, and Brian Blade on drums, but Kevin Hays replacing Brad Mehldau on piano. The group picks some well-known popular songs, such as the Gershwins' "I Loves You Porgy," Hoagy Carmichael's "Skylark," and "All or Nothing at All," an early hit for Frank Sinatra and a tune once essayed by John Coltrane. "Some Other Time," the Leonard Bernstein song from On the Town, turns out to be a particularly felicitous choice for jazz improvisation.
Recorded over three consecutive nights in December of 2014, Live at the Village Vanguard showcases bassist Christian McBride and his trio in concert at the storied New York venue. A four-time Grammy winner, McBride has been a superstar in the jazz world since debuting as a teenager in the late '80s.
Cellist Joan Jeanrenaud's first solo album since leaving her 20-year gig with the celebrated Kronos Quartet finds her exploring areas that aren't exactly a huge departure from the type of edgy modern music she played with her old group, but it does show what she can do when given her own space to work with. The results are impressive. Most of the compositions are for solo cello with looped cello parts captured digitally or on tape, while one is written for cello and computer-generated sounds and another for cello and "electronics." The composers are a combination of names familiar (Steve Mackey, Philip Glass, Hamza el Din) and new (Mark Grey, Jeanrenaud herself), and while the pieces aren't all equally interesting there are several works of stunning beauty here. One of the most engaging is el Din's "Escalay + 17:10," with its looped Egyptian melodies, and another is Jeanrenaud's own "Altar Piece," which makes extensive use of electronic tone alteration and layering, and on which she exercises masterful control of whispery artificial harmonics. But the album's highlight is a piece by Karen Tanaka entitled "Song of Songs." Inspired by the Old Testament book of the same name, which is essentially an extended love song, Tanaka builds a sweet, simple, and beautifully textured work out of cello and computer-generated sounds. As always, Jeanrenaud's playing is virtuosic but never showy. Highly recommended.
Mark Spiro is an iconic American songwriter and an established award winning producer, recording artist, and accomplished musician, with a career that spans over two decades. Among his many accomplishments are 45 Gold and Platinum Records, and nine solo albums. His songs and productions have been represented on records that have sold over 100 Million copies worldwide. The “2+2 = 5: Best of + Rarities” compilation encompasses the best of Mark’s solo material starting from “Now Is Then, Then is Now”, originally released in 1996, until “It’s a Beautiful Life”, released in 2012. Also included are his songwriting collaborations with none other than Dann Huff (Giant), Michael Thomson (MTB), Jim Vallance (Bryan Adams), and Tim Pierce. As a special treat for the discerning and passionate melodic rock fans, the album includes 13 unreleased songs which also includes collaborations with Dann Huff, Michael Thompson, Tim Pierce and Jason Derlatka. Mark is currently working on a new solo album.
One of Bach's more magnificent extended choruses graces the cantata BWV 12, and another less substantial but no less impressive one dominates BWV 38. These works represent some of Bach's most profoundly affecting and musically sophisticated textual and emotional representations, the former an ideal evocation of "weeping and wailing" with its unmistakably vivid chromatic descending bass-line, lurching rhythm, and agonized melody (which Bach later re-used in his B minor Mass). The pungent, reedy sound of the oboe adds perfect color and character to the whole cantata, and of course, Bach's ingenious writing, especially the obbligato parts, lifts all three of these cantatas beyond the functional to the highest artistic and spiritual level.