Rick Wakeman's third solo album is among his best, as he employs his vast array of keyboards to their full extent, musically describing the characters pertaining to the days of King Arthur's reign. With orchestra and choir included, although a little less prevalent than on Journey, he musically addresses the importance and distinguishing characteristics of each figure through the use of multiple synthesizers and accompanying instruments. "Lady of the Lake" is given a mystical, enchanted feel, perpetrated by a more subtle use of piano and synthesizer, while the battle of "Sir Lancelot and the Black Knight" is made up of a barrage of feuding keyboard runs and staccato riffs, musically recounting the intensity of the duel. But it's on "Merlin the Magician" where Wakeman truly shines, as the whimsy and peculiarity of this fabled figure is wonderfully conjured up through the frenzy of the synthesizer.
This 18-track compilation includes everything from Kiki Dee's early-'70s Motown album Great Expectations, as well as two additional tracks from her time with the label that surfaced on the rare budget Kiki Dee album in the mid-'70s, along with four previously unreleased 1969-1970 outtakes. While it's good to have this fairly rare material thoughtfully combined into one package, it reinforces the sense that neither Motown nor Dee realized the potential from their unusual association.