Returning to Gentle Giant's fourth album after any kind of lengthy absence, it's astonishing just how little Octopus has dated. Often written off at the time as a pale reflection of the truly gargantuan steps being taken by the likes of Jethro Tull and Barclay James Harvest, the band's closest relatives in the tangled skein of period prog, Gentle Giant often seemed more notable for its album art than its music…
Decades after its release, Tales from Topographic Oceans is still the most controversial record in Yes' output. This was the place where Yes either fulfilled all of the promise shown on their previous five albums or slid off the rails in a fit of artistic hubris, especially on the part of lead singer Jon Anderson and guitarist Steve Howe, who dominated the composition credits here…
Fragile was Yes' breakthrough album, propelling them in a matter of weeks from a cult act to an international phenomenon; not coincidentally, it also marked the point where all of the elements of the music (and more) that would define their success for more than a decade fell into place fully formed…
Free Hand was Gentle Giant's seventh album originally released in July 1975. This album was the most commercially successful of the band's career reaching the top 40 albums in Billboard Magazine. It stands as the culmination of the band's maturity, following the successes of 'In A Glass House' & 'The Power & The Glory'. Having toured Europe & North America non-stop in the years prior to this release with artists like Jethro Tull, Yes, Zappa etc, the band had gone from strength to strength…
The Pineapple Thief, one of the leading lights of Europe’s experimental rock domain, led by post-progressive mastermind Bruce Soord and reinforced by Gavin Harrison (King Crimson) on drums, have announced the multi format release of “Nothing But The Truth” on Kscope on 22nd October…
The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner's monumental Fifth Symphony by saying: “Both Bruckner’s belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboim’s interpretation”. The operatic experience of the conductor was almost tangible, revealing the “sheer dramatic instrumental battle between Bruckner’s God and the Devil – between heaven and hell – without betraying Bruckner’s unerring sense of striking proportions.” The release of this “contrapuntal masterpiece” (as Bruckner, not without pride, referred to this work) is part of Daniel Barenboim’s Bruckner cycle with the renowned Staatskapelle Berlin.
THE SONG REMAINS THE SAME is the soundtrack to the legendary concert film of the same name, which was released in 1976. The performances in the film were recorded July 27-29, 1973 at Madison Square Garden during the band’s tour for its then-current studio album, Houses Of The Holy.The Super Deluxe Boxed Set will be the most exquisite and elaborate release in the reissue series, recreating the intricate embossing of the set’s original issue and will also mark the first time the full length film and soundtrack have been available in the same package…