50+ From Issue 37, 2010

Charlie Haden - The Complete Remastered Recordings On Black Saint & Soul Note (2010) {5CD Set CAM Jazz BXS1001 rec 1977-1990}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.33 Gb | MP3 @320 -> 573 Mb
Full Artwork @ 600 dpi (png) -> 117 Mb | 5% repair rar
© 1977-90, 2010 CAM Jazz / Black Saint / Soul Note | BXS 1001
Jazz / Post Bop / Hard Bop / Bass

THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz.
This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered paying strict attention to the sound quality.

2014 reissue of the Wilson sister's 2004 & 2010 albums with bonus tracks. Jupiters Darling is the thirteenth studio album by the American rock band Heart, released in 2004 through the label Sovereign Artists. This album continued the move back to Heart's hard rock and folk rock roots. It peaked at number 94 on the U.S. Billboard 200. Red Velvet Car is the fourteenth studio album by American hard rock band Heart, released worldwide on August 31, 2010 by Legacy Recordings. It peaked at No. 10 on the US Billboard 200 chart, and at No. 3 on the US Rock Albums Chart, making it Heart's first top 10 hit in two decades.

The set is valuable as a single survey of the great composer's work - especially since it contains many items otherwise unavailable. The period instruments sound well, the playing throughout is accomplished and achieved with a certain almost nonchalance that suggests the players are very familiar with the music.

A 19-CD box set? Twenty one and a half hours of music? A 72-page book? Artefacts that include a receipt for her first piano? Who said the music industry no longer had money to burn?
For anybody unfamiliar with Sandy Denny’s yearning, evocative songs, her teeteringly vulnerable vocal style and the erratic contours of a career that ended shockingly in a fall downstairs in 1978 when she was 31, this eye-watering project may seem like ludicrous indulgence.