Modern electric blues guitar can be traced directly back to this Texas-born pioneer, who began amplifying his sumptuous lead lines for public consumption circa 1940 and thus initiated a revolution so total that its tremors are still being felt today. Few major postwar blues guitarists come to mind that don't owe T-Bone Walker an unpayable debt of gratitude. B.B. King has long cited him as a primary influence, marveling at Walker's penchant for holding the body of his guitar outward while he played it. Gatemouth Brown, Pee Wee Crayton, Goree Carter, Pete Mayes, and a wealth of other prominent Texas-bred axemen came stylistically right out of Walker during the late '40s and early '50s.
Ruff Kutt Blues is the name of the project started by James Goode, a Rockabilly Hall of Fame bass player and fan of Texas Blues. The other name you need to know on this project is the name of Texas Blues guitar legend Anson Funderburgh. James and Anson go way back. And together, they have recruited an all-star cast of musicians to work on a special CD called Mill Block Blues. The CD features Anson Funderburgh in an exciting new role. Not only is Anson laying down more classic Texas Blues guitar licks all over this CD, but he's also lending his experience as arranger and producer to this album. And that results in a landmark album that every blues lover needs in their collection.
Muddy Waters was the leading exponent of Chicago blues in the Fifties, and with him, the blues came up from the Delta and went electric. His guitar licks and repertoire have fueled innumerable blues bands.
Los Angeles jazz, rock and blues jams are frequently heavily infused with latin percussion; Carlos Santana, Jimi Hendrix, Eric Clapton and Alvin Lee guitar licks; George Duke, Willie Dixon, Berry Oakley and James Johnson bass runs; and horns. Oh yes, the horns. Although they rarely take the lead, they act as point and counter-point. Quick blasts of power followed by torrents of blues guitar licks. When the music slows an Angeleno mestizo Eagles sound a mixture of country, blues, folk and rock - predominates. And, of course, all of it is layered in an often hypnotic blues, country or latin-tinged rhythm punctuated by lead and background vocals. That summarizes The Delgado Brothers and the contents of their September 2009 release, Learn to Fly.