500 Rolling

Rolling Stone Magazine released a list of "500 Greatest Songs of All Time" in November 2004. It represents an eclectic mix of music spanning the past 50 years, and contains a wide variety of artists sharing the spotlight. The Rolling Stone 500 was compiled by 172 voters comprised of rock artists and well-known rock music experts, who submitted ranked lists of their favorite 50 Rock & Roll/Pop music songs. The songs were then tallied to create the 500 Greatest Songs of All Time.

Rolling Stone Magazine released a list of "500 Greatest Songs of All Time" in November 2004. It represents an eclectic mix of music spanning the past 50 years, and contains a wide variety of artists sharing the spotlight. The Rolling Stone 500 was compiled by 172 voters comprised of rock artists and well-known rock music experts, who submitted ranked lists of their favorite 50 Rock & Roll/Pop music songs. The songs were then tallied to create the 500 Greatest Songs of All Time. The Magazine is included.

Once simply viewed as a ramshackle overview of the Rolling Stones' decidedly uneven career throughout the '70s and into the early '80s, Rewind (1971-1984), ironically enough, is now also considered something of a collector's item since going out of print. And let's not forget that a Stones collection, however imperfect, is still bound to showcase some of the greatest rock & roll tunes ever recorded, and in this case the offerings include everything from "Brown Sugar" to "Angie" to "Miss You" to "Start Me Up," etc., etc. Of course, all of these and many, many more are now represented in the 2002 Forty Licks set, consigning Rewind to its bizarre afterlife as a rarity – go figure.

"Ruby Tuesday" is a song recorded by the Rolling Stones in 1966, released in January 1967. The song, coupled with "Let's Spend the Night Together", was a number-one hit in the United States and reached number three in the United Kingdom. The song was included in the American version of Between the Buttons (in the UK, singles were often excluded from studio albums)…

"(I Can't Get No) Satisfaction" is a song by the English rock band The Rolling Stones, released in 1965. It was written by Mick Jagger and Keith Richards and produced by Andrew Loog Oldham. Richards' three-note guitar riff – intended to be replaced by horns – opens and drives the song. The lyrics refer to sexual frustration and commercialism…

Sticky Fingers is the ninth British and eleventh American studio album by the English rock band the Rolling Stones, released 23 April 1971 on their new, and own, label Rolling Stones Records. Sticky Fingers is considered one of the Rolling Stones' best albums. It was the band's first album to reach number one on both the UK albums and US albums charts, and has since achieved triple platinum certification in the US. Songs such as "Brown Sugar," the country ballad "Dead Flowers," "Wild Horses," "Can't You Hear Me Knocking," and "Moonlight Mile" were chart-toppers. The album is inducted in the Grammy Hall of Fame and included in Rolling Stone magazine's 500 Greatest Albums of All Time list.

"Sympathy for the Devil" is a samba rock song by the Rolling Stones, written by Mick Jagger and Keith Richards. Sung by Jagger, the song is an homage to the Devil, written in the first-person narrative from his point of view, recounting atrocities committed throughout the history of humanity…

"Wild Horses" is a song by the Rolling Stones from their 1971 album Sticky Fingers, written by Mick Jagger and Keith Richards. Rolling Stone ranked it number 334 in its "500 Greatest Songs of All Time" list in 2004…

Theatrically released in 2012, Crossfire Hurricane, directed by Brett Morgen, documents the career of the Rolling Stones in roughly chronological fashion, and includes rare historical footage as well as interviews and commentary, both historical and current, from Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood, and former Stones Bill Wyman and Mick Taylor, as well as rare interviews with Brian Jones, who was in many ways the heart of the original band. The DVD and Blu-ray editions include bonus and previously unreleased concert footage, an interview with the director, and the original theatrical trailer.