501 Character Prompts

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New German Cinema pioneer Wim Wenders (Wings of Desire) brings his keen eye for landscape to the American Southwest in Paris, Texas, a profoundly moving character study written by Pulitzer Prize–winning playwright Sam Shepard. Paris, Texas follows the mysterious, nearly mute drifter Travis (a magnificent Harry Dean Stanton, whose face is a landscape all its own) as he tries to reconnect with his young son, living with his brother (Dean Stockwell) in Los Angeles, and his missing wife (Nastassja Kinski). From this simple setup, Wenders and Shepard produce a powerful statement on codes of masculinity and the myth of the American family, as well as an exquisite visual exploration of a vast, crumbling world of canyons and neon.

along with Batman are two superhero properties where, ever since Frank Miller's deconstructions of their characters and mythos, creators are always inspired with the wildest and the boldest of ideas and storylines. In Diggle and De La Torre begin with a stark change in status quo: Matt Murdock has broken all ties with his friends and assumed leadership of The Hand, the deadly ninja cult he's been battling since the days of Miller and Klaus Jansen. It's a radical transformation, to be sure, but to drive home the bolt to help seal it Diggle has Daredevil undergo the final initiation that will make him truly the leader of The Hand. In issue #502, the second of Diggle's run on the Man Without Fear (3rd if you count the Dark Reign: The List special) we get to see what Diggle really is doing with the character: he is making Daredevil work within the context of both Ed Brubaker's previous run, and the current "Dark Reign" status quo of the Marvel Universe. Matt Murdock is not really deep into a dark abyss as some would have it; he is merely adjusting his crime-fighting to an increasingly brutal world, using the means available to him. In issue #503 Diggle with some dark visceral artwork from De La Torre shows Daredevil is not just adjusting, but willingly pushing it as far as he can, and more, as he cleans NYPD of its corrupt. And in issue #4, the conclusion to the first story arc since "Return of the King" we see Daredevil taking on Osborne's H.A.M.M.E.R. and again Diggle's characterizations and De La Torre's dark, granular artwork show what a hot and confident creative team at the height of their powers can do. All Minutemen scans.