50s House

John Lee Hooker - House Rent Boogie (2001) {Ace Records CDCHD 799}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 212 Mb | MP3 @320 -> 152 Mb
Full Artwork @ 300 dpi (png) -> 40 Mb | 5% repair rar
© 1940s-50s, 2001 Ace Records | CDCHD 799
Blues / Delta Blues / Acoustic Blues / Detroit Blues / Blues Revival

A cross-section of hot Hooker at his prime with great solo performances and small combo recordings, when he was making sides exclusively for the black audience in the late 40s-early 50s. Here is a new CD of vintage Hooker recordings culled from the private tape vaults of Bernie Besman and Joe Bihari. At this stage, you might think it safe to assume that there is nothing left unissued from Hooker's early years in Detroit. Wrong! Ace researcher, the intrepid Ray Topping, has put together a release that combines classic early Hooker recordings many of which have never been available on CD before together with a total of FIVE previously unissued recordings.

Your Hit Parade – was a 41-volume series issued by Time-Life during the late 1980s and early 1990s, spotlighting popular music from the pre-rock era years of 1940-1954, and non-rock and roll songs from 1955 through mid-1960s.
Much like Time-Life's other series chronicling popular music, volumes in the "Your Hit Parade" series covered a specific time period, including single years in some volumes and stylistic trends in others.

The Modern Jazz Quartet And The Oscar Peterson Trio At The Opera House (1957) {2013 Japan Jazz The Best Series 24-bit Remaster UCCU-9945}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 151 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (png) -> 109 Mb | 5% repair rar | 24-bit remaster | Mono
© 1957, 2013 Verve / Universal Japan | UCCU-9945
Jazz / Bop / Cool / Third Stream

The Modern Jazz Quartet make a rare appearance on Verve Records in the 50s – splitting half the album here with the classic Oscar Peterson Trio! The live performance was recorded in Chicago, and definitely has the MJQ working in a looser vibe than on some of their late 50s recordings for Atlantic – a bit more open and swinging, in a Verve mode – with some of the bop inspiration that first showed up on their early Prestige recordings – as you'll hear on the cuts "Now's The Time", "Round Midnight", and "D&E Blues". The second half of the record features live material from Oscar Peterson's hip group with Herb Ellis on guitar and Ray Brown on bass – that great drum-less lineup that really lets Oscar take off on piano – on tunes that include "Big Fat Mama", "Should I Love You", "Indiana", and "Elevation".

The hardest working man in show business brings down the House Of Blues with a live concert event in Las Vegas. James Brown's influential music, uninhibited style and energetic stage presence are captured like never before. Generations of fans rejoice as the undisputed 'Godfather Of Soul' takes his diverse audience on a journey through five decades of chart-topping hits. This disc also features an on-camera interview with the producers and a bonus performance by Tomi Rae.

Collectors will be thrilled to learn that The Come Back contains 11 previously unreleased tracks, but even those who aren't hardcore collectors will find that this CD paints an exciting picture of Slim's two years at United.
Like John Lee Hooker, Memphis Slim was very much a label-hopper - from the '40s to the '80s, it was safe to assume that the singer/pianist wouldn't stay at one label for too long. In the '50s, Slim did some of his best work for United, a Chicago-based indie whose catalog has since been acquired by Delmark (another Windy City label). Slim's United period of 1952-1954 is the focus of The Come Back, a 20-track collection that Delmark assembled in 2002. This is a blues CD that has both jazz and rock appeal…

Collectors will be thrilled to learn that The Come Back contains 11 previously unreleased tracks, but even those who aren't hardcore collectors will find that this CD paints an exciting picture of Slim's two years at United.
Like John Lee Hooker, Memphis Slim was very much a label-hopper - from the '40s to the '80s, it was safe to assume that the singer/pianist wouldn't stay at one label for too long. In the '50s, Slim did some of his best work for United, a Chicago-based indie whose catalog has since been acquired by Delmark (another Windy City label). Slim's United period of 1952-1954 is the focus of The Come Back, a 20-track collection that Delmark assembled in 2002. This is a blues CD that has both jazz and rock appeal…