60 Minutes of Funk

The Heliocentrics - 13 Degrees Of Reality (2013) {Now-Again NA5097}
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© 2013 Now-Again Records | NA 5097
Jazz / Nu Jazz / Jazz Funk / Experimental / Neo-Psychedelia

In the intervening six years between Out There, the Heliocentrics' debut, and 13 Degrees of Reality, the U.K.-based ensemble backed Ethiopian jazz legend Mulatu Astatke on his Steps Ahead and live Timeless offerings. They also released a collaborative album with world-jazz pioneer Lloyd Miller. Whereas their debut set offered funk and hip-hop grooves refracted through the lens of vanguard jazz, this date is an exercise in dark rhythmic pulses and breaks, with jazz, rock, a wide array of world musics, hip-hop, and funk all playing supporting roles; it's led by the rhythm section – drummer Malcolm Catto and bassist/vibist Jake Ferguson.

The 1950s were fun, the 1960s were wild, and the 1970s were decadent. But the 1980s? The ’80s were big: Big hair; big shoulder pads; big, booming music; and big changes. MTV, compact discs, and digital sampling were brand new, and FM radio blasted the hits of the day to nerds, preppies, and punks alike.

James Brown - Sex Machine (1970) {Universal Music Japan Mini LP UICY-9293 rel 2003}
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© 1970, 2003 Polydor / Universal Music Japan | UICY-9293 | Cardboard Sleeve
Funk / R'n'B / Soul / Funky Jam

James Brown cooking it live – recorded (as the cover says) "at home in Augusta, Georgia with his bad self"! The groove here is a nice extension of earlier Apollo modes – one that shows the increasing funkiness of the James Brown Band, captured with a raw power that few other groups could match – in a style that really paves the way for the James Brown/JBs sound of the 70s – with long tracks, and some killer fast versions of some of the best funky cuts from the late King Records years! The set includes a smoking 10 minute version of "Sex Machine" –plus other groovers like "I Got the Feeling", "Mother Popcorn", "Licking Stick", and a great version of "I Don't Want Nobody to Give Me Nothing".

The brief career of this artist, one of four different horn players in jazz named Joe Thomas, can be basically described as symposium on funky flute. He was certainly not the only flautist huffing and puffing over strong backbeats in the '70s and '80s, the era's popular players in this style including Herbie Mann, Jeremy Steig, and Hubert Laws. Thomas' masterwork in this genre might be considered to be "Funky Fever," more than ten minutes of jamming that has been described as "jazzy disco funk boogie," complete with a vocal chorus that chants "I've got this funky, funky fever."

It's one of the best titles in modern musical history, for song and for album, and as a call to arms mentally and physically the promise of funk was never so perfectly stated. If it were just a title then there'd be little more to say, but happily, Free Your Mind lives up to it throughout as another example of Funkadelic getting busy and taking everyone with it. The title track itself kicks things off with rumbling industrial noises and space alien sound effects, before a call-and-response chant between deep and chirpy voices brings the concept to full life. As the response voices say, "The kingdom of heaven is within!" The low and dirty groove rumbles along for ten minutes of dark fun, with Bernie Worrell turning in a great keyboard solo toward the end - listening to it, one gets the feeling that if Can were this naturally funky, they'd end up sounding like this…