One of several Liverpool pop groups to achieve international success in the sixties, the Swinging blue jeans were actually formed in 1958, when (acknowledging their hero, Gene Vincent), they called themselves the Bluegenes. They were already regular performers at the Cavern club when the Beatles made their debut in 1961 at that now-famous venue - indeed, the Beatles occupied the guest spot on their show…
The Fourmost were a British merseybeat band from the 1960s. They, like many similar bands from Liverpool, signed with Brian Epstein in 1963 and ended up on the Parlophone label, with George Martin as record producer. With some John Lennon-Paul McCartney compositions, the Fourmost had some success, especially with John's 'Hello Little Girl'. Their biggest hit was 'A Little Lovin' (#6 in Britain in 1964). After that, though, the lack of a songwriter within the band kept the Fourmost from achieving the same popularity that others achieved during the late 1960s, and they soon stopped recording, instead touring on the cabaret circuit. This 33 track single CD features the two afore mentioned tracks plus lots more.
"During the sixties Adelaide had a thriving music scene. Once used inner city basements and cellars became dark, hot, noisy and smoky clubs and discos. Venues like Alan Hale's Beat Basement, The Scene, Alex Innocenti's The Cellar and Jim Popoff's Big dadd's filled with teen-agers to hear discs spun by local DJs and local groups pounding out R&B and hits of the day. Bands like the Masters Apprentices, Blues Rags'n Hollers, Southern Gentlemen, Dust'n Ashes, Blues Syndicate, The Vikings/Why 4, The Others, Sounds Of Silence and many others made their presence felt. Some were lucky enough to release one or maybe two 45s at best, however the emergence of a number of independant recording facilities enables many more to record demos and tracks to mime to on local TV music shows like Action or In Time. This is what we have here, hidden away for over 40 years, the fruits of that youthful energy hopefully getting some recognition, not afforded them at the time.''
Features 24 bit remastering and comes with a mini-description. The beat goes on, and Herbie Mann gets plenty darn groovy – serving up these short, soulful tunes that really pack a sweet little punch – thanks in part to some excellent work on vibes by the young Roy Ayers! Ayers' rings out next to Herbie's flute in a very cool way – almost Latin, but a bit groovier overall, with some echoes of bossa and 60s soundtrack jazz – all mixed with deeper soul currents that are very much in the best 60s jazz spirit of Atlantic Records! Jimmy Wisner handles the arrangements, and also plays some mean piano. Titles include Dave Pike's "Dream Garden", which was arranged by Pike himself – plus Herbie Mann's "West African High Life", and Herbie Hancock's "Hey Ho" – as well as the cuts "No Matter What Shape", "More Rice Than Peas, Please", "Soul Montuno", and "The Beat Goes On".
Reissue of the first full length album recorded by this great West Coast harmonica player for the World Pacific label in 1968 with three bonus cuts. Most of the disc consists of George singing or playing some of the best sides recorded by the great Little Walter who had died shortly before these recordings. On this session he is accompanied by members of the Muddy Waters band who were touring the West Coast at the time with Muddy & Luther Johnson on guitars, Little Sonny Wimberly on bass and S.P. Leary on drums.