7 Wall of Sound

Berlin 61 / 89 / Wall Of Sound is not an ordinary compilation. It is closer to a concept album, referring both to a chapterin history and a musical assemblage which resounds like a continental echo to Phil Spector? s Wall of Sound.
Dangerous, sublime, incandescent, fuelled by a vivid mythology in which Nick Cave, David Bowie, Lou Reed, and Brian Eno meet, Berlin is an artistic city par excellence, a place of all extremes. During those three decades marked by the Wall, in which she was a world metropolis because American and French as much as German, Russian and English, Berlin established herself as the capital of an « other rock », as important and everlasting as the one which was born in the middle of the previous century, somewhere in the south of the U.S.A.

Funk You Very Much is a 1998 Prince bootleg CD of a 1992 show in the Netherlands. Since it is a 1992 show, it is a Prince & The New Power Generation performance. This disc was released by the Wall Of Sound label.

Phil Spector changed the landscape of music with innovative productions that influenced virtually every pop producer who followed in his wake. The traditional drums-bass-guitar combination was still the standard in the early 1960s, and only two-track technology was available. Spector created what would become known as the Wall of Sound, using large bands (with several guitarists, two bassists, full string and horn sections), echo chambers, powerful vocalists, and symphonic structures not previously associated with youthoriented pop music. He managed to draw from different musical genres, including R&B, soul, teen idol pop, rock & roll, and doo-wop, to create a lush, resonant, and dramatic sound. This quintessential collector’s edition compiles Spector’s most essential and enduring work from the beginning of his career, gathering a variety of the great sides he produced for a dozen different labels, such as Atlantic, ABC-Paramount, Gregmark, Jamie, Trey, Musicor, Dunes, Big Top, or his own Philles Records, between 1961 and 1962.

Paris based Wall of Death, together since April 2010, are one of the principal exponents of the new European post-psychedelic rock scene. Inspired by the scintillating understatement of the Velvet Underground, the aesthetics of Pink Floyd, the stridency of Neu and the Silver Apples, this trio of Gabriel Matringe (vocals, guitar), Brice Borredon (keyboard, vocals) and Adam Ghoubali (drums) draws us into their sombre, troubling world of uncertainty, perpetually seeking the keys to its future in the ruins of the past. With help from Hanni El Khatib and engineers Jonny Bell (Crystal Antlers) and Sonny DiPerri (Portugal.The Man), Wall of Death has created a dense and deeply individual album that makes an instant into a lifetime and more.

A wrapper, integrator, a host, or just lets say it’s a playground for guitarist. Mix, integrate, explore and perform with Kuassa Amplifikations and Efektors you own, automatically added as building blocks inside Amplifikation 360.

Danish Melodic Progressive Metal band Section A is back after a six-year absence with a new studio album, titled Wall of Silence. It’s the band’s fourth overall, and the first Section A album not to feature vocalist Anders Engberg. His replacement is a relative newcomer named Nicklas Sonne. Drums on Wall of Silence are performed by Dennis Hansen (Fatal Force). Multi-instrumentalist Torben Enevoldsen once again handles everything else.