4CD career overview of The Long Ryders compiled with both Sid Griffin and Tom Stevens from original tapes (where they exist) - Sid has contributed a track by track breakdown for the set.
Featuring all the original albums as well as demos, singles and rare live recordings. Remastered by Andy Pearce the recordings and in Sid’s opinion have never sounded so good. With a booklet designed by Phil Smee containing many rare photos and memorabilia.
The Long Ryders were formed by several American musicians influenced by Gram Parsons and The Byrds, with country and punk rock influences. The band featured Sid Griffin on guitar, autoharp, and bugle, Stephen McCarthy, guitar, steel guitar, mandolin, and banjo, Des Brewer, as bassist, (later replaced by Tom Stevens) and Greg Sowders, playing drums and percussion…
This trio set from three of New York’s most imaginative left-field musicians – Tim Berne drummer/vibraphonist Ches Smith, pianist Craig Taborn and tone-bending viola player Mat Maneri – displays such an unusual balance of compositional tautness (Smith wrote all the pieces) and spontaneity that assigning it to any jazz, improv or contemporary classical box is impossible. The nine-minute title track is typical, in the explicitness of the opening bell chime, Taborn’s show-and-hide chordal pulse, Maneri’s graceful ascents and a heated finale sprayed with brusque percussion rumbles. Cryptic viola melodies shadowed by rolling piano figures accelerate to frisky dances, stern tom-tom grooves stalk alongside intimate piano-viola dialogues, the fiddle equivalent of Jan Garbarek’s long sax outbreaths curl across dark landscapes before storms break.
4CD career overview of The Long Ryders compiled with both Sid Griffin and Tom Stevens from original tapes (where they exist) - Sid has contributed a track by track breakdown for the set.
Featuring all the original albums as well as demos, singles and rare live recordings. Remastered by Andy Pearce the recordings and in Sid’s opinion have never sounded so good. With a booklet designed by Phil Smee containing many rare photos and memorabilia.
The Long Ryders were formed by several American musicians influenced by Gram Parsons and The Byrds, with country and punk rock influences. The band featured Sid Griffin on guitar, autoharp, and bugle, Stephen McCarthy, guitar, steel guitar, mandolin, and banjo, Des Brewer, as bassist, (later replaced by Tom Stevens) and Greg Sowders, playing drums and percussion…
Anthrax's first album with vocalist Joey Belladonna is a huge leap forward, featuring strongly rhythmic, pounding riffs and vocals that alternate between hardcore-type shouting and surprising amounts of melody…
The Long Ryders were formed by several American musicians influenced by Gram Parsons and the Byrds, with country and punk rock influences. The band featured Sid Griffin on guitar, autoharp, and bugle, Stephen McCarthy, guitar, steel guitar, mandolin, and banjo, Des Brewer, as bassist, (later replaced by Tom Stevens) and Greg Sowders, playing drums and percussion. With a sound reminiscent of Gram Parsons, Buffalo Springfield and The Flying Burrito Brothers, but with a harder edge, they anticipated the alternative country music of the 1990s by a decade. This 4-CD career overview has been compiled with both Sid Griffin and Tom Stevens from original tapes (where they exist) - Sid has contributed a track by track breakdown for the set. The set features all the original albums as well as demos, singles and rare live recordings. Re-mastered by Andy Pearce the recordings and in Sid's opinion have never sounded so good. A new booklet designed by Phil Smee contains many rare photos and memorabilia.
This is the incredible story of Uther Pendragon, a lost psychedelic band from San Francisco whose music has remained buried until now. Formed in the Bay Area in 1966 as a teen garage group called Blue Fever, Uther Pendragon lasted from 1966 until 1978. During that time, the band went through different names and phases, as their music evolved from garage to psychedelia to hard rock, but the core of the band always remained the same: Mark Lightcap (rhythm guitar, vocals), Bruce Marelich (lead guitar, vocals), and Martin Espinosa (bass, vocals). After finding their ultimate drummer in Mike Beers, the group finally settled on the Uther Pendragon name in the early '70s. But despite being active for all that time and recording at numerous studios (including their own in Palo Alto), Uther Pendragon never released any recordings…
As Yanni's first album of original material in five years - he revisited the past on 2014's Inspirato and recast Mexicanísimo as My Passion for Mexico in 2012 - Sensuous Chill doesn't feel rushed, nor does it feel lazy. At nearly 70 minutes, it does feel a little bit long but Yanni doesn't keep the 17 tracks treading water. Occasionally, he trades in placid surfaces, letting a slight Middle Eastern flair drift into view, but he often ratchets up the R&B beats while threading in spectral soul vocals straight out of Pink Floyd, letting things glide into a full song and then slide away back to a realm that can only be identified by the title's claim. If the production and aesthetic of the record feel slightly out of date - it feels like it could've been cut in the '90s - there's also a charm to its traditionalism: Yanni knows what he does well and he does it proudly here.
As Yanni's first album of original material in five years - he revisited the past on 2014's Inspirato and recast Mexicanísimo as My Passion for Mexico in 2012 - Sensuous Chill doesn't feel rushed, nor does it feel lazy. At nearly 70 minutes, it does feel a little bit long but Yanni doesn't keep the 17 tracks treading water. Occasionally, he trades in placid surfaces, letting a slight Middle Eastern flair drift into view, but he often ratchets up the R&B beats while threading in spectral soul vocals straight out of Pink Floyd, letting things glide into a full song and then slide away back to a realm that can only be identified by the title's claim. If the production and aesthetic of the record feel slightly out of date - it feels like it could've been cut in the '90s - there's also a charm to its traditionalism: Yanni knows what he does well and he does it proudly here.
As Yanni's first album of original material in five years - he revisited the past on 2014's Inspirato and recast Mexicanísimo as My Passion for Mexico in 2012 - Sensuous Chill doesn't feel rushed, nor does it feel lazy. At nearly 70 minutes, it does feel a little bit long but Yanni doesn't keep the 17 tracks treading water. Occasionally, he trades in placid surfaces, letting a slight Middle Eastern flair drift into view, but he often ratchets up the R&B beats while threading in spectral soul vocals straight out of Pink Floyd, letting things glide into a full song and then slide away back to a realm that can only be identified by the title's claim. If the production and aesthetic of the record feel slightly out of date - it feels like it could've been cut in the '90s - there's also a charm to its traditionalism: Yanni knows what he does well and he does it proudly here.
The psychedelic southern rock band DeWolff presents on February 5 next year their latest album Roux-Ga-Roux. The album appears on the own Electrosaurus Records in collaboration with Suburban Records. It is the sixth studio album by the band. DeWolff are a psychedelic rock band from the Netherlands’ deep south, formed in 2007 by brothers Pablo & Luka van de Poel and Robin Piso. When their psychedelic yet hard rocking, self-titled EP was released in 2008 it immediately conquered the hearts of rock music lovers all across the country and in December 2008 the band played their first show at Paradiso, a legendary venue in Amsterdam. The release of their 2009 debut album “Strange Fruits and Undiscovered Plants” was followed by a successful tour through the Netherlands and Germany.