Motörhead, is a long-lived and iconic British heavy metal band formed in 1975 by former roadie for Jimi Hendrix, bassist, singer and songwriter Ian "Lemmy" Kilmister. They are widely recognized as progenitors of thrash & speed metal, a fusion of heavy metal and what was soon to become hardcore punk. Consequently they influenced countless rock, punk rock, and heavy metal bands that followed. Usually a power trio, Motörhead had particular success in the early 1980s with several successful singles in the UK Top 40 chart. The albums Overkill, its follow on, Bomber, Ace of Spades, and particularly No Sleep ‘til Hammersmith, cemented Motörhead’s reputation as one of Britain’s foremost heavy metal groups. While Motörhead are typically classified as heavy metal, speed metal or thrash metal (and often regarded as a foundational influence on the latter two styles); Lemmy dislikes such labels, preferring to describe the band’s music simply as “Rock and Roll”…
This beautifully packaged 4 disc (3CD + DVD) box set comprises of the very best radio and TV performances by Richard and Linda Thompson and Richard Thompson solo recorded for the BBC between January 1974 and 2009. These are the first ever collection of BBC recordings sanctioned by Richard Thompson, the first career retrospective DVD ever released by Richard Thompson and the first ever to feature Linda.
Alphaville's 2010 comeback album sets the time at defiance, playing as if the last two decades never existed, but the band's return to its prime form is so flawless the record sounds almost timeless. Thirteen years since their last commercial studio album, they pick up where synth pop left off: midtempo beats impossible not to tap to, romantic and nervous keyboard textures that take that space ambience of Kraftwerk and Tangerine Dream and put it to work, and dramatic vocals with a weepy edge, like Erasure is still the hottest new thing in town.
Alcatrazz is an English-American heavy metal band formed in 1983 by Graham Bonnet, Jimmy Waldo and Gary Shea. They are best known for their songs "Island in the Sun" and "God Blessed Video", and have gone through a number of line-up changes, leaving Bonnet as the only constant member. The band is also notable for featuring a previously-unknown Yngwie Malmsteen, who was the guitarist of Alcatrazz during 1983–1984, and was subsequently replaced by Steve Vai and then by Danny Johnson…
Alan Parsons studied a number of musical instruments in childhood but, like many of his peers, settled on the guitar in his early teens. His job in the late 1960s at the EMI tape duplication facility allowed him access to many classics of the day, including the tape master of The Beatles Sgt. Pepper's Lonely Hearts Club Band (1967), which fired him up to become a recording engineer. He subsequently managed to get work at the Abbey Road Studios and participated in the creation of The Beatles albums Let It Be (1970) and Abbey Road (1969) and the infamous Apple rooftop session. He also went on to work as mix engineer with Paul McCartney and George Harrison after The Beatles split…
…And Justice for All is the fourth studio album by American heavy metal band Metallica, released on August 25, 1988, through Elektra Records. It is the first Metallica studio album to feature bassist Jason Newsted after the death of Cliff Burton in 1986…
Kim Wilde's sixth album is the first since the commercially viable but artistically weak artistic makeover that began with 1984's Teases and Dares to approach the quality of her first three albums. For the first time in three albums, Wilde sounds as if she's comfortable with the music she's making; that this music is clearly inspired by the chart success of the Stock-Aitken-Waterman production team, then having enormous hits with Bananarama, Kylie Minogue and others, might seems a little calculated, but it must be said: Stock, Aitken & Waterman had huge hits because they made unapologetically catchy, uncomplicated pop singles, and that's never a bad thing…
While Laurie Anderson's music works well enough on its own terms, her 1986 concert film Home of the Brave (which she directed herself) makes it clear that her work is better served when you can see her performing it. While Anderson isn't exactly playing to the cheap seats most of the time, she's a far more accessible and engaging performer than most folks involved in "performance art" (and watching this film makes it clear that, while music is the core, performance art is indeed what Anderson is doing – the dancing, storytelling, and visual constructs are as much a part of the presentation as the musicians).