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The Synthesizer Cooperation Synco was founded 1984 in Berlin by Frank Klare and Mirko Lüthge. They bought some expensive analog equipment from Tangerine Dream and composed music in their style. This CD consist of remastered and remixed cassette material (tracks 1-8) and new work (tracks 9-14).

The Synthesizer Cooperation Synco was founded 1984 in Berlin by Frank Klare and Mirko Lüthge. They bought some expensive analog equipment from Tangerine Dream and composed music in their style. This CD consist of remastered and remixed cassette material (tracks 1-8) and new work (tracks 9-14).

The Synthesizer Cooperation Synco was founded 1984 in Berlin by Frank Klare and Mirko Lüthge. They bought some expensive analog equipment from Tangerine Dream and composed music in their style. This CD consist of remastered and remixed cassette material (tracks 1-8) and new work (tracks 9-14).

Once again combining softened elegance with his gentlemanly approach to the simple love song, Chris de Burgh remains true to form on Quiet Revolution with polished ballads and morning-friendly, mid-tempo material. de Burgh's style hasn't strayed since "The Lady in Red" peaked at number three in 1987, and from that point on he has tried to emulate the same success with his romantic formula of ballroom-type love songs and delicate lyrics. Although Quiet Revolution offers up a handful of these, some of the other tracks exhibit punchy melodies that still display de Burgh's heartfelt voice.

Karlheinz Stockhausen - Natürliche Dauern, 3rd Stunde aus Klang (2007) {2CD Set Stockhausen-Verlag No. 85}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 378 Mb | MP3 @320 -> 345 Mb
Full Artwork @ 300 dpi (png) -> 34 Mb | 5% repair rar
© 2007 Stockhausen-Verlag | Stockhausen 85
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Paris was the place to be before and after WWII, and Jazz in Paris captures some of those immortal moments such as Django's Blues. This is a wonderful introdution to the great guitarist as he plays some classic pieces such as Septermber Song, Brazil and Blues Primitif. The disc is divided into two performances at the Le Quintette de Hot Club in 1947, with his brother Joseph joining him on the second set on rhythm guitar. The series is beautifully packaged and you will love checking out the many other titles such as Django and Company, which includes Stephane Grappelli.

It's the late Vier ernste Gesänge, Op. 121, that get the big print on the cover of this release by the awe-inspiring baritone Matthias Goerne, but actually the music on the album falls into a neat early-middle-late classification scheme. The group of middle-period settings of poetry by Heinrich Heine doesn't even get graphics on the cover, but these are fascinating. Brahms wrote a lot of songs, but you couldn't do better than the selection and performances here for a cornerstone collection item. Beyond the sheer beauty of Goerne's voice is an ability to shift gears to match how Brahms' style evolved. If you want to hear his real slashing, operatic high notes, check out the Lieder und Gesänge, Op. 32, settings of poems by the minor poets Georg Friedrich Daumer and Karl August Graf von Platen. These rather overwrought texts add up to a kind of slimmed-down Winterreise, and they catch the spirit of the still-young Brahms with his strong passions, elegantly controlled. The Heine settings, which come from several different sets of lieder, are not that often heard and are in some ways the most compelling of the group here.

Leather Jackets, released in 1986, is the twentieth official album release for Elton John. Recorded at Sol Studios in England and Wisseloord Studios in the Netherlands, it was his first album not to have any top 40 singles in either the US or the UK since 1970's Tumbleweed Connection, which had no singles released from it.

At the age of 85 Stephane Grappelli was still a master of the violin, as proven during this 1993 concert at Carnegie Hall in honor of his landmark birthday (which he had celebrated the previous January 26th). With bassist Jon Burr and guitarist Bucky Pizzarelli, Grappelli revisits a number of old favorites, including a lively take of "All God's Chillun Got Rhythm," an easygoing "Honeysuckle Rose," and a gently swinging "Limehouse Blues." There are no surprises, just great music from the master. Several tracks feature the Rosenberg Trio (in their American recording debut), a fine Gypsy trio (2 guitars and a bass) that Grappelli first heard at the 1991 Montreal Jazz Festival and invited to join him on stage. All six men take part in the enjoyable finale of "Sweet Georgia Brown."