9 11 2002

This series of the complete harpsichord concerti of C.P.E. Bach is one of the most important and monumental recording projects of the century so far… it is a whole planet of delights and amazing discoveries.

Culled from various live recordings Junior Wells made in his final year or so, Live Around the World: The Best Of is not a "best-of." Instead, it intends to present the legendary Chicago bluesman in a late-career renaissance - or, as Donald E. Wilcock says in his affectionate liner notes, "This album is not the last gasps of a dying legend." To a certain extent that's true, because Wells does not sound tired, weary, or disengaged. He turns in spirited, energetic performances throughout and his harp playing remains a marvel, never following expected routes, always melodic and invigorating. That doesn't mean the album itself is invigorating, something that is a worthy bookend to Hoodoo Man Blues, since it suffers from the problem that plagues so many contemporary blues albums - clean, precise production with perfectly separated instruments, plus the band's tendency to veer into funk vamps instead of dirty grooves…

"The road was our school. It gave us a sense of survival; it taught us everything we know and out of respect, we don't want to drive it into the ground…or maybe it's just superstition but the road has taken a lot of the great ones. It's a goddam impossible way of life" - Robbie Robertson, from the movie The Last Waltz, quoted in the box set…

In love as in music, let pleasure be your guide…
Thus was born Sex Lounge and the desire to unite for the first time the most enticing Lounge and Downtempo selection ever dedicated to love and sensuality.
Sensual and sexual, it is the subtle and perfect mingling of these musical inspirations that guarantee the tenderness of this erogenous and erotic journey in which what lies ahead belongs to you and you alone… or not so alone…