The Danish group Days was formed in Copenhagen in the winter 1967/1968 by Peter Lindhe (drums), John Kjaergaard (vocals/rhythm guitar), Ole Fester (vocals/bass) and Lars Reinau (vocals/lead guitar). The band's repertoire was mainly rock and blues oriented with cover versions of songs from John Mayall's Bluesbreakers, Cream, Jimi Hendrix and The Rolling Stones. During 1968/1969, Peter Lindhe and Lars Reinau started writing original material to the band and the repertoire started changing from rock/blues cover versions to self-composed, more lyrical songs with elements of The Beatles, Procol Harum and (early) Deep Purple. In 1969, Jorn Anker (Hammond organ) joined the band and he, too started contributing new original songs to the band. The Days LP was recorded in the early summer of 1970 and in 1971 the band split up…
Nine Days Wonder played very complex and jazzy Krautrock with unusual vocal sections and extreme musical ideas, aking to the hardest moments of Van Der Graaf Generator or Kraan. Maybe the most extreme is the opening, long ''Fermillion'', a unique mix of Krautrock with endless jams, Heavy Rock with strong guitar moves, Funk with sweet sax solos and Jazz Rock with measured, improvised passages, spoiled by the needless, Zappa-esque but hillarious vocals towards the end. ''Moss Had Come'' is a short Psych/Hard rocker with a sudden acoustic break at the middle, featuring some impressive sax moves. ''Apple Tree'' is possibly the best track of the album. Again a furious and complicated jazzy Krautrock with sax in evidence is nicely blended with a softer vocal moment and very good Hard Prog sound towards the end with intricate guitar work…
The sole album of this great, but underrated British progressive band was released in 1975 on small Retreat Records. This powerful but still unknown album LP was mostly inspired by early Genesis records, but some Yes and Camel influences were also palpable. The quartet offered varied, imaginative and beautifully-arranged songs with excellent and quite heavy guitar parts, inventive and truly amazing keyboards phrases, very complex and busy drumming and fine vocals. This memorable will definitely appeal to all fans of creative, progressive music.
Orden Ogan prove once more that reaching the top of the power metal chain is a walk in the park for them. Being it with mighty, catchy choruses or well-constructed instrumental parts, the Teutonic powerhouse managed to create an equally great effort here as their marvelous previous works…
In the twenty-first century, Anathema have often been mentioned in the same breath as Opeth and Porcupine Tree due to their increased movement towards thoughtful progressive rock structures. It hasn’t always been that way, of course. Like Opeth, the band began life as a totally different musical beast, playing in a melodic death metal style. Shifting line-ups naturally resulted in shifting sounds, and by the time the band signed with the legendary Music For Nations label for their fifth album "Judgement" in 1999, they’d settled on a rather tough but accessible blend of gothy and alternative rock.
Comprising three discs of remastered audio material, "Fine Days 1999-2004" presents a detailed look this important period in the Anathema history, showing the workings of a band very much moving towards the top of their game…
Stunning limited edition box set by this great Swiss neo prog band. Box set includes all 4 studio CD's that are remastered with bonus tracks, booklet with biography and photos as well as an autographed certificate of authenticity. Hand-numbered edition of 1,000.
Many aspects feature in their beautiful music, mainly the outstanding voice of Aluisio Magini, which fits perfectly on top of a well structured instrumentation. Although this band continues the path signed by IQ or Pendragon, they do it in a more bombastic and powerful way, keeping the sense of melody and beauty at the same time. Listener won't find tons of originality, but this album guarantees an excellent hour, specially to neo-prog fans.