99 Film Scenes

Here it is, Jesus Franco's classic Women In Prison epic 99 Women, which includes the Unrated Director's Cut of the film, and all the extra footage from the R1 DVD on Blue Underground! The chicks are all hot as hell, the story is well done and somewhat emotional, and the acting (especially from Mercedes McCambridge and Herbert Lom) is stellar across the board. The extras include a short documentary about Franco (with soft VobSub or .srt subs to choose from), two deleted scenes, the original US trailer, and an alternate ending from the Spanish cut of the film (which also includes both soft VobSub or .srt subs).

New inmate Marie arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos and submitted to torture, rape and lesbianism. When the Minister of Justice replaces Diaz by Leonie Caroll, Marie believes that her life will improve and her case will be reopened. However, Marie is disappointed with the new warden and decides to escape with two other inmates. But their runaway scheme fails and the three women are chased not only by the guards, but also by male prisoners that have not seen women for many years.

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A divorcée, whose house is being fumigated, temporarily moves in with a friend, whose husband has recently passed away. Meanwhile two of the workmen make a bet that they can bed the women and the games are on. Mixed into the mess of filthy rich individuals are the divorcée's ex, her script-writer brother, his new African-American wife, the friend's precocious daughter, and the ghost of her husband. The film offers a satire on the social, racial, and hedonistic lifestyles of the rich and famous.

Twelve-year-old Anaïs is fat. Her sister, Elena, is a teenage beauty. While on vacation with their parents, Anaïs tags along with Elena as she explores the dreary seaside town. Elena meets Fernando, an Italian law student, who seduces her with promises of love, and the ever-watchful Anaïs bears witness to the corruption of her sister’s innocence. Precise and uncompromising, Catherine Breillat’s Fat Girl is a bold dissection of sibling rivalry and female adolescent sexuality from one of contemporary cinema‘s most controversial directors.

BooBoo, a young telepath, and her father, Yogi, are revolutionaries pitted against the "New Electromagnetic Order". Their story, set in the year 2007 in a blighted Nevada outpost, is interwoven with a history of the development of electromagnetic technologies, from X-rays to atom bombs, from television to the Internet. "At once politically charged and wildly imaginative, this unique extravaganza confirms director Baldwin as an avant-garde superstar".

Even though one can view each segment of Krzysztof Kieslowski's Three Colors trilogy on its own, it seems absurd to do so; why buy the slacks instead of the entire suit? Created by Kieslowski and his writing partner Krzysztof Piesiewicz for France's bicentennial, the titles–and the themes of the films–come from the three colors of the French flag representing liberty, equality, and fraternity. Blue examines liberation through the eyes of a woman (Juliette Binoche) who loses her husband and daughter in an auto accident, and solemnly starts anew. White is an ironic comedy about a befuddled Polish husband (Zbigniew Zamachowski) who takes an odd path of revenge against his ex-wife (Julie Delpy). A Swiss model (Irène Jacob) strikes up a friendship with a retired judge (Jean-Louis Trintignant) who eavesdrops on his neighbors in Red. The trilogy is a snapshot of European life at a time of reconstruction after the Cold War, reflected through Kieslowski's moralist view of human nature and illumined by each title's palate color.

Sisif (Severin-Mars) is the kindly railroad engineer who adopts the orphan girl Norma (Ivy Close). He raises her as his own along with his son Elie (Pierre Magnier). When they are grown, Elie and Herson (Gabriele de Gravvone) are compelled to fight to the death on a mountain top over the love of Norma. Elie dies when he falls after losing his grip on a tree branch, and Norma is turned out by Sisif who blames her for the death of his only son. She marries Herson but is left a widow within the year. Sisif becomes a blind recluse and visits the sight of his son's death on the one-year anniversary. He arrives with the help of his guide dog. Norma returns to help Sisif but is again turned away by the bitter father. She secretly helps the old man until he dies in this sentimental melodrama.