A 窦靖童

After recently signing a worldwide record deal with Napalm Records, German post rock/experimental young-bloods THERE’S A LIGHT now unveil their second album, f̶o̶r̶ ̶w̶h̶a̶t̶ ̶m̶a̶y̶ ̶I ̶h̶o̶pe̶? for what must we hope? on December 10, 2021.

It follows the band on tour, telling the full story of how three young men followed their impossible dream of becoming Norwegian pop stars. When Take On Me reached number 1 on Billboard in the US in 1985 the dream came true. Or did it?

Solid, soulful blues, often with humorous, self-deprecating lyrics, comes from the well-respected vocalist, tenor player, composer, and veteran of the bands of Albert Collins, Buddy Guy, Magic Sam, and Son Seals. Reed has been called "the definitive Chicago blues sax player." This album features Reed's band, with guests Bonnie Raitt and Stevie Ray Vaughan

While not quite as strong as the band's debut, Scoundrel Days is still a-ha succeeding as a marketed "pretty boy" band which can connect musically and lyrically as much as any musical sacred cow. The opening two songs alone make for one of the best one-two opening punches around: the tense edge of the title track, featuring one of Morten Harket's soaring vocals during the chorus and a crisp, pristine punch in the music, and "The Swing of Things," a moody, elegant number with a beautiful synth/guitar arrangement (plus some fine drumming courtesy of studio pro Michael Sturgis) and utterly lovelorn lyrical sentiments that balance on the edge of being overheated without quite going over. Although the rest of the disc never quite hits as high as the opening, it comes close more often than not…

A-ha, the multi-platinum selling legendary Norwegian trio, will release a 15 track Acoustic Hits MTV Unplugged album on October 6. This is the first time in the band’s 30 year history that they have recorded an acoustic album…

How Can I Sleep With Your Voice in My Head documents a-ha's 2002 world tour in support of Lifelines. The album's 14 tracks were compiled from various performances recorded over the tour's final six weeks. Rather than focusing on newer material, the album gives almost equal due to the seven years between Hunting High and Low and Lifelines.

Emily A Sprague’s Hill, Flower, Fog is an illumination of consciousness across six modular meditations. A place, a poem, and a homespun ode to existing in “this cone of time in our universe,” Hill, Flower, Fog channels the here and now and fosters a far-reaching connectedness, or lifeline, from the everyday to the cosmos.

Pietro Paolo Bencini (1675? -1755) was one of the most important figures in the musical life of Rome in the eighteenth century. His sacred music is on the same level as that of Alessandro Scarlatti. This is evident from the fact that much of his music can be found in copies even outside Europe. The most important part of his oeuvre is in the collection of the 'Cappella Guilia', now the library of the Vatican. Bencini worked as 'maestro di cappella' in the basilica of San Lorenzo in Damaso and from 1743 in St. Peter's of Rome; an important job. His style is festive, full of contrasts and smooth melodic lines.

Rural blues private press with excellent guitar parts throughout. Actually in the second side things get a bit psychedelic too , especially at the superb psychedelic instrumental "Black River Lady". Another highlight is the great ''Old Man Gibbs" with a certain Neil Young + Crazy Horse vibe. The music is diverse with a hint of Neil Young , JJ Cale or even Grateful Dead in their sound. An obscure but solid record overall.