Away from the clamor of grand opera and soaring symphonies, Fairest Isle takes us into the quiet, intimate world of English Elizabethan song, and you could hope for no better guide than Barbara Bonney. Her clear, beautifully rounded voice is superbly controlled, making light of a masterful technique; if you want to hear art concealing art, look no further. This is intensely private music, in a program that cleverly sidesteps any risk of listener fatigue by starting with lute accompaniment (infinitely tender playing by Jacob Heringman), moving on to a viol quartet, then finally to the richer sound of the Academy of Ancient Music under Christopher Hogwood. Leavening the mix are three instrumental interludes. The title piece is a blithe, dancelike song.
When Real Music President Terence Yallop heard carols being played one Christmas Day at a hotel in San Francisco and approached the pianist, he was excited about both Kevin's talent for exceptional arrangements and for his pianistic skill. He didn't yet know that Kevin had been a child prodigy who was discovered, hands on the keyboard over his head, playing "Silent Night" when he was only 18 months old and that by the time he was two, Kevin could play 20 Christmas carols using both hands.
Kern recently returned from another triumphant tour through Asia where sold out performances, including one at the beautiful new Esplanade Theatre in Singapore, led to encores and standing ovations. Audiences in Korea broke into enthusiastic applause each time they recognized the beginning of one of his much-loved compositions. Kern has truly become a universal name for beautiful, relaxing music.
For more information on Kevin Kern and his music, please visit: www.kevinkern.com
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