A Man And a Woman Movie

A man and a woman meet in the hospital after their respective partners are involved in a car accident. After learning that their spouses have been having an affair, the two begin one of their own.

While looking for an apartment, Jeanne, a beautiful young Parisienne, encounters Paul, a mysterious American expatriate mourning his wife's recent suicide. Instantly drawn to each other, they have a stormy, passionate affair, in which they do not reveal their names to each other. Their relationship deeply affects their lives, as Paul struggles with his wife's death and Jeanne prepares to marry her fiance, Tom, a film director making a cinema-verite documentary about her. (http://imdb.com/title/tt0070849/plotsummary)

Iconic horror figure Lon Chaney Jr. invites viewers to enter a world of mystery with this collection of all six films from the Inner Sanctum Mysteries series. Originally released between 1943 and 1945, the films include Calling Dr. Death, Weird Woman, The Frozen Ghost, Pillow of Death, Dead Man's Eyes, Strange Confession.

Four months before Christmas, Sarah and Matthieu Scarangelo were in a car crash, of which Sarah and her unborn baby were the only survivors. On Christmas Eve, Sarah stays home alone, where she grieves her husband and prepares to go to the hospital the next morning for the delivery. As night falls, a woman knocks on Sarah's door asking to use the phone. When she refuses, the woman reveals that she knows Sarah and tries to force her way in….

Four months before Christmas, Sarah and Matthieu Scarangelo were in a car crash, of which Sarah and her unborn baby were the only survivors. On Christmas Eve, Sarah stays home alone, where she grieves her husband and prepares to go to the hospital the next morning for the delivery. As night falls, a woman knocks on Sarah's door asking to use the phone. When she refuses, the woman reveals that she knows Sarah and tries to force her way in….

An unidentified man, grimacing and sweating profusely, is pulled in half by two trucks to which his arms and legs are chained as another man, bound and gagged, watches in horror. So begins Gun Crazy: A Woman from Nowhere, director Atsushi Muroga's low-budget piece of East-West cinema incest. The film is essentially a remake of Sergio Leone's A Fistful of Dollars, replacing Clint Eastwood's Man With No Name with Saki, a leather-clad, Harley-riding, gun-toting heroine played by Japanese supermodel and television star, Ryoko Yonekura (Musashi). So, what we've got here is a straight-to-video Japanese actioner based on an Italian-made American genre piece, itself a remake of a classic Japanese film, Akira Kurosawa's Yojimbo. What's odd is Muroga riffs solely on Fistful, showing little or no awareness of its Japanese source. He even backs Saki's entrance and final shootout with a piece of music so similar to Ennio Morricone's familiar score it's probably a copyright violation. The windy, dusty shot of Saki's slow approach during the climactic duel evokes both Leone and Kurosawa, but only because the former borrowed so literally from the latter. The billowing of our heroine's leather overcoat, looking like the dusters in Once Upon a Time in the West, is pure homage to Leone.

In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him: first as a girl who was his neighbor; next as a young woman who, in secret, has his child; then as a mature woman who meets him again and abandons husband and son to be with him. Each time he does not remember who she is or that they have ever met. By morning, he has finished the letter, and her husband awaits satisfaction.