A Privilege to Die

Covering the most charming babyfaces and hateable heels, the high-flyers as well as the hardcore heroes, this comprehensive, authoritative book explores the personalities, events, and facts every WWE fan should know. Dive into pro wrestling history with indispensable information on iconic matches, behind-the-scenes business, unforgettable feuds, and outstanding feats by superstars like Stone Cold Steve Austin, The Undertaker, John Cena, Ric Flair, Shawn Michaels, and Bret Hart.

It’s hard to find an article of Lydia Loveless that doesn’t mention some type of “fire” spitfire, firebrand, fiery. There’s no question why, of course; her music is a blaze of powerful vocals and raging rock and roll guitar, red-hot and ready with a snarl or a good, honest shout. No-holds-barred emotion burns through every song she sings, marking every ex she reams and every lost friendship she mourns. Loveless gets bitter, she gets rowdy, and she makes no apologies as a general rule.

Royal Fireworks, a collection of Baroque masterpieces and new arrangements performed with the Balsom Ensemble (her hand-picked ensemble of period instrument specialists), will be Balsom’s 13th solo release for Warner Classics and her first since 2016’s Jubilo. The album sees her perform on the natural (valveless) trumpet and features concertos and orchestral masterpieces by Handel, JS Bach, Telemann and Purcell. A pioneer of adapting works written for other solo instruments, Balsom is committed to demonstrating the versatility of the trumpet and will feature three new orchestrations by arranger Simon Wright on the album.

De Profundis Clamavi is a two-disc recording of English piano music, contrasting three dramatic sonatas with a vibrant selection of shorter pieces ranging from the sublimely poetic to the darkly rhapsodic.

Earn passive income spending 20 minutes a day on LinkedIn

Bach started to compose the “6 Concerti per il cembalo concertato” Wq 43 at the end of 1770, 2 years after moving to Hamburg and succeeding his godfather Telemann, who died on June 25th 1767, as Kapellmeister at Hamburg’s Johanneum. Their publication by Breitkopf was advertised in the Hamburg press on November 25th 1772. The concertos were designed to be widely accessible and described as “leicht”, easy, a term that lends itself to different interpretations.
The “ease” of these concertos does not just concern the instrumental and technical aspect, nor the form in which they were conceived.